As methods of study are discovered, a vast field opens to the American scholar. Now, as at all times in the history of civilization, there has been no lack of interest in this subject, and no lack of speculative writers; but there is a great want of trained observers and acute investigators.
If we lay aside the mass of worthless matter which has been published, and consider only the material used by the most careful writers, we find on every hand that conclusions are vitiated by a multitude of errors of fact of a character the most simple. Yesterday I read an article on the "Growth of Sculpture," by Grant Allen, that was charming; yet, therein I found this statement:
So far as I know, the Polynesians and many other savages have not progressed beyond the full-face stage of human portraiture above described. Next in rank comes the drawing of a profile, as we find it among the Eskimos and the bushmen. Our own children soon attain to this level, which is one degree higher than that of the full face, as it implies a special point of view, suppresses half the features, and is not diagrammatic or symbolical of all the separate parts. Negroes and North American Indians cannot understand profile; they ask what has become of the other eye.
Perhaps Mr. Allen derives his idea of the inability of the Indians to understand profiles from a statement of Catlin, which I have seen used for this and other purposes by different anthropologists until it seems to have become a favorite fact.
Turning to Catlin's Letters and Notes on the Manners, Customs, and Condition of the North American Indians, (vol. 2, page 2) we find him saying:
After I had painted these, and many more whom I have not time at present to name, I painted the portrait of a celebrated warrior of the Sioux, by the name of Mah-to-chee-ga (the Little Bear), who was unfortunately slain in a few moments after the picture was done by one of his own tribe; and which was very near costing me my life, for having painted a side view of his face, leaving one-half of it out of the picture, which had been the cause of the affray; and, supposed by the whole tribe to have been intentionally left out by me, as "good for nothing." This was the last picture that I painted amongst the Sioux, and the last, undoubtedly, that I shall ever paint in that place. So tremendous and so alarming was the excitement about it that my brushes were instantly put away, and I embarked the next day on the steamer for the sources of the Missouri, and was glad to get underweigh.
Subsequently, Mr. Catlin elaborates this incident into the "Story of the Dog" (vol. 2, page 188 et seq).
Now, whatsoever of truth or of fancy there may be in this story, it cannot be used as evidence that the Indians could not understand or interpret profile pictures, for Mr. Catlin himself gives several plates of Indian pictographs exhibiting profile faces. In my cabinet of pictographs I have hundreds of side views made by Indians of the same tribe of which Mr. Catlin was speaking.
It should never be forgotten that accounts of travelers and other persons who write for the sake of making good stories must be used with the utmost caution. Catlin is only one of a thousand such who can be used with safety only by persons so thoroughly acquainted with the subject that they are able to divide facts actually observed from creations of fancy. But Mr. Catlin must not be held responsible for illogical deductions even from his facts. I know not how Mr. Allen arrived at his conclusion, but I do know that pictographs in profile are found among very many, if not all, the tribes of North America.