In our folk-lore philosophy a cough is caused by a “cold,” whatever that may be—a vague entity—that must be treated first according to the maxim “Feed a cold and starve a fever,” and the “cold” is driven away by potations of bitter teas.
In our medical philosophy a cough may be the result of a clogging of the pores of the skin, and is relieved by clearing those flues that carry away the waste products of vital combustion.
These illustrations are perhaps sufficient to exhibit the principal characteristics of the two methods of philosophy, and, though they cover but narrow fields, it should be remembered that every philosophy deals with the whole cosmos. An explanation of all things is sought—not alone the great movements of the heavens, or the phenomena that startle even the unthinking, but every particular which is observed. Abstractly, the plane of demarkation between the two methods of philosophy can be sharply drawn, but practically we find them strangely mixed; mythologic methods prevail in savagery and barbarism, and scientific methods prevail in civilization. Mythologic philosophies antedate scientific philosophies. The thaumaturgic phases of mythology are the embryonic stages of philosophy, science being the fully developed form. Without mythology there could be no science, as without childhood there could be no manhood, or without embryonic conditions there could be no ultimate forms.
MYTHOLOGIC PHILOSOPHY HAS FOUR STAGES.
Mythologic philosophy is the subject with which we deal. Its method, as stated in general terms, is this: All phenomena of the outer objective world are interpreted by comparison with those of the inner subjective world Whatever happens, some one does it; that some one has a will and works as he wills. The basis of the philosophy is personality. The persons who do the things which we observe in the phenomena of the universe are the gods of mythology—the cosmos is a pantheon. Under this system, whatever may be the phenomenon observed, the philosopher asks, “Who does it?” and “Why?” and the answer comes, “A god with his design.” The winds blow, and the interrogatory is answered, “Æolus frees them from the cave to speed the ship of a friend, or destroy the vessel of a foe.” The actors in mythologic philosophy are gods.
In the character of these gods four stages of philosophy may be discovered. In the lowest and earliest stage everything has life; everything is endowed with personality, will, and design; animals are endowed with all the wonderful attributes of mankind; all inanimate objects are believed to be animate; trees think and speak; stones have loves and hates; hills and mountains, springs and rivers, and all the bright stars, have life—everything discovered objectively by the senses is looked upon subjectively by the philosopher and endowed with all the attributes supposed to be inherent in himself. In this stage of philosophy everything is a god. Let us call it hecastotheism.
In the second stage men no longer attribute life indiscriminately to inanimate things; but the same powers and attributes recognized by subjective vision in man are attributed to the animals by which he is surrounded. No line of demarkation is drawn between man and beast; all are great beings endowed with wonderful attributes. Let us call this stage zoötheism, when men worship beasts. All the phenomena of nature are the doings of these animal gods; all the facts of nature, all the phenomena of the known universe, all the institutions of humanity known to the philosophers of this stage, are accounted for in the mythologic history of these zoömorphic gods.
In the third stage a wide gulf is placed between man and the lower animals. The animal gods are dethroned, and the powers and phenomena of nature are personified and deified. Let us call this stage physitheism. The gods are strictly anthropomorphic, having the form as well as the mental, moral, and social attributes of men. Thus we have a god of the sun, a god of the moon, a god of the air, a god of dawn, and a deity of the night.
In the fourth stage, mental, moral, and social characteristics are personified and deified. Thus we have a god of war, a god of love, a god of revelry, a god of plenty, and like personages who preside over the institutions and occupations of mankind. Let us call this psychotheism. With the mental, moral, and social characteristics in these gods are associated the powers of nature; and they differ from nature-gods chiefly in that they have more distinct psychic characteristics.
Psychotheism, by the processes of mental integration, developes in one direction into monotheism, and in the other into pantheism. When the powers of nature are held predominant in the minds of the philosophers through whose cogitations this evolution of theism is carried on, pantheism, as the highest form of psychotheism, is the final result; but when the moral qualities are held in highest regard in the minds of the men in whom this process of evolution is carried on, monotheism, or a god whose essential characteristics are moral qualities, is the final product. The monotheistic god is not nature, but presides over and operates through, nature. Psychotheism has long been recognized. All of the earlier literature of mankind treats largely of these gods, for it is an interesting fact that in the history of any civilized people, the evolution of psychotheism is approximately synchronous with the invention of an alphabet. In the earliest writings of the Egyptians, the Hindoos, and the Greeks, this stage is discovered, and Osiris, Indra, and Zeus are characteristic representatives. As psychotheism and written language appear together in the evolution of culture, this stage of theism is consciously or unconsciously a part of the theme of all written history.