Waagen, G.F. Die Vornehmsten Künstler in Wien. 8vo. Wien, 1866. (MSS. in Imperial Library, etc., in Vienna.)
Warner, G.F. Miniatures and Borders from the Hours of Bona Sforza, Duchess of Milan. Small 4to. London, 1894. 65 sepia facsimiles.
Warner, G.F. Illuminated MSS. in the British Museum. 4to. London, 1899, etc. Many coloured facsimiles.
Wattenbach, W. Das Schriftwesen im Mittelalter. 8vo. Leipzig, 1871.
Westwood, J.O. Palæographia Sacra Pictoria. 4to. London, 1845. 50 facsimile plates, mostly in colours and gold.
Westwood, J.O. Miniatures and Ornaments of Anglo-Saxon and Irish MSS. Folio. Oxford, 1868. Many fine facsimiles in colours.
Wyatt, M.D., and Tymms. The Art of Illuminating. Large 8vo. London, 1860. Many facsimiles in gold and colours.
INDEX
Ada-Codex at Trèves, [57], [67]
Alcuin and his coadjutors, [72]
Andreas Joannes, [175]
Anglo-Celtic illumination, [59]
Anne of Bohemia, [163]
— of Brittany, [214]
— — her portrait, [217]
Antonio and Francisco de Holanda, [231]
Arundel Psalter, [157]
Athelstan Gospels, [67]
Avignon Bible, [175]
Bamberg Bible, [69]
Bedford Offices, [222]
Beham Prayer-book at Aschaffenburg, [241]
Benedictionals, [149]
Bernward, St., of Hildesheim, [93]
Berry MSS., [141]
Bible of Charles the Bald, [68]
Bibliography, [277]-[285]
Bobbio, an Irish foundation of Columbanus, [53]
Boccaccio at Munich, by Fouquet, [211]
Bohemian illumination, [163]
— MSS. at Prag, [190]
Book-form, its antiquity, [9]
Bourdichon, Jean, [215], etc.
Brentel, F., and the Prayer-book of William of Baden at Paris, [241]
Brera Graduals at Milan, [181]
Brothers of the Common Life, [194]
Bruno, St., of Cologne, [93]
Byzantine illumination, [24]
— — its subdivisions, [31]
Byzantium, rebuilding of by Justinian, [26]
Cambiaso, Luca, of Genoa, [230]
Carolingian illumination, [62]
Celtic illumination, [36]
Charles IV., the Emperor, [163]
“Château d'Anet” and its style, [221]
Choir-book of Sts. Ulrich and Afra at Augsburg, [192]
Christine de Pisan and her works, [142]-[147]
Chronicle of Jerusalem at Vienna, [203]
Cistercian foundations, [74]
Cluny and Citeaux, [81]
Codex, what, [17]
Collegium Carolinum at Prag, [190]
Colour-scheme of Fouquet, [212]
Compendium of Theophilus, [104], [105]
Convenevole da Prato, poems of, [175]
Cunegunda, the Empress, [90]
— her Passionale, [189]
Debonnaire, Louis le, [65]
Decretals, the, what they were, [176], etc.
Decretum Gratiani, [177]
Delisle, M.L., on Franco-Saxon illumination, [63]
Dinteville Hours, [223]
Dioscorides at Vienna, [22]
Drolleries and grotesques, [157]
Durandus, Rationale of, [180]
Dutch illumination, its charateristics, [199]
Emmeram Gospels, the, [112]
English illumination, [149]-[153]
Escorial choir-books, [228]
“Explicits” of monastic MSS., [79]
Exultet roll, what, [172]
Famous abbeys for book-work, [78]
First English styles, [59]
Flemish illuminators, [201]
Fouquet, Jean, and the school of Touraine, [210], etc.
Franconian illumination, [93]
Frankendorfer Evangeliary at Nuremberg, [192]
Frederick II., “Stupor Mundi,” his work on hawking, [186]
Freemasons, who they were, [125]-[127]
French illumination, [139]
— Renaissance illumination, [208]-[225]
— — its gradual development, [208]
Gerard David of Oudewater, [201], [205]
German colouring (early), [154]
— illumination, [186]-[194]
Glass-painting, [128]
Glockendon, A., and his work, [193]
— N., at Nuremberg, [241]
Gold and silver writing, etc., [27]
Golden age of illumination, [123]
Gothic architecture, its origin, [121]
— illumination, [110]
Grandison Psalter, [169]
Greek and Roman illumination, [19]
Grimani Breviary, [205]-[206]
Grisaille, [207]
Guilds (or gilds), [131]
Handwritings, classification of, [13]
Hartmut, Abbot of St. Gallen, [95]
Hendrie, R., translator of “Theophilus,” [106]
Henry II., the Emperor, [90]
— VII. of Luxembourg, the Emperor, [189]
Herrade von Landsberg, the abbess, [114], [120]
Hildesheimer Prayer-book at Berlin, [192]
Hoefnagel, G., and the Missal of Archduke Ferdinand at Vienna [242]
“Hortus Deliciarum,” its style, [114], [115]
Hours of Anne of Brittany, [217]
— of Claude Gouffier, [221]
— of Francis I., [222]
— of Frederick III. of Aragon, [183]
— of Henry II. at Paris, [224]
— of Marie de Clève at Paris, [211]
Hrosvita, poetess and copyist, [87], [88]
Illuminating, antiquity of, [3]
Illumination defined, [3]
— not spoiled by the invention of printing, [239]
— since the invention of printing, [239]-[243]
Initial, development of, [56]
Irish art, [40]
Isabella Breviary (Brit. Mus.), [207]
Italian copyists, [183]
— illumination, [171]-[185]
— libraries, [182]
Kells, the Book of, [57]
Lala of Cyzicus, a lady, the first miniaturist on record, [4]
Lancastrian illumination, [166]
Landscape background, origin of, [200]
Lombardic illumination, [173]
— writing, [14]
Lothaire, Evangeliary of, [69]
Louis of Taranto and his Order of the Holy Spirit, [178]
— XII., [215], etc.
Louise of Savoy and her MSS., [224]
Louterell Psalter, [158]
Luxeuil founded by Columbanus, [53]
Maas-Eyck Evangeliary, [198]
Mazarine Bible, [240]
Manual of Dionysius, a Greek text-book, [100]
Manuscripts referred to, [244]-[276]
“Mater Verborum” of Conrad of Scheyern, [117]
Mathilda, the Empress, patroness of copyists, [87]
Matilda, the Countess, [98], [172]
Médard, St., of Soissons, Gospels of, the finest Carolingian MS. known, [70]
Melreth Missal, [169]
Merovingian writing, [14]
Miniature, the term explained, [4]
Missal of Albert of Brandenburg, [192]
— of Estevam Gonçalvez Neto, [234]
— and Prayer-book of Albert of Brandenburg, [240]
Monastic illumination, [71]-[83]
— scriptoria, [149]
Monte Cassino and La Cava, [173]
Munich Library and a notable MS., [91]-[92]
— Missal of Henry II., [111]
National styles of illumination, [134]-[138]
Netherlandish illumination, [195]
— — its characteristics, [196]
— foliage ornament, its relation to wood-carving, [202]
New Minster, Winchester, [150]
Nicholaus of Bologna and his work at Prag, [181]
Niedermünster MS. at Munich, [119]
Othonian illumination, [84]-[92]
Papyrus, [8]
— late use of, [10]
Parchment, origin of term, [8]
Paris Josephus, Fouquet's masterpiece, [211]
Passionale of Cunigunda, [189]
Perréal, Jean, [214]
Portuguese Genealogies (Brit. Mus.), [236]
— MSS., [233]
Poyet, Jean, [219]
Prayer-book of William of Bavaria at Vienna, [193]
Psalters. See Arundel, etc.
Pulcheria, the Empress, [101]
Queen Mary's Psalter, [158]
Rahn, Dr., on Carolingian illumination, [62]
Romance of Gérard de Roussillon at Vienna, [204]
Royal Library at Brussels and its treasures, [203]
— mottoes, [220]
Ruskin Book, the, [133]
Sacramentary of Gellone, [53]-[55]
Salzburg Missal at Munich, [192]
Sandoval Genealogies, [235]
Saracenic taste in Sicily, [188]
School of Fontainebleau, [220]
— of Zwolle, [199]
Schools of Bruges, Dijon, Paris, and Tours, [209]
— of Maestricht and Liége, [202]
Scorza, G.B., of Genoa, [230]
Scriptoria, [76]
Semi-barbaric illumination, [49]
Sicilian illumination, [187]
Silvestro, Don, [180]
Similarity of English and French illumination in the thirteenth century, [156]
Sintramn of St. Gallen, [93]
“Sol Gallicus” (Brit. Mus.), [225]
Sources of English fifteenth-century illumination, [161]
Spanish and Portuguese illumination, [226]-[238]
— illuminators, [227], etc.
“Splendor Solis” (Brit. Mus.), [241]
St. Alban's scriptorium, [152]
St. Gallen, monastery of, founded, [63]
St. Swithun's, Winchester, [151]
Stefaneschi, Cardinal, patron of Giotto, [173]
Stowe Missal, [236]
— — its colour-scheme and ornamentation, [237]-[8]
Style no proof of provenance of MSS., [137]
Tenison Psalter, [156]
Theophano, the Empress, [89]
Torre do Tombo at Lisbon and its MSS., [231]
“Trésor des Histoires” (Brit. Mus.), [212]
Tuotilo, [39], [93], [94], [104]
Vaast, St., of Arras, Evangeliary, [69]
Valentina of Milan, Duchess of Orleans, [213]
Valerius Maximus (Brit. Mus.), [213]
Vatican MSS., [20]
Vellum, etc., [6]
Venetian “Ducali,” [242]
Versailles Livy, etc., at Paris (Fouquet), [211]
Vienna Genesis, [21]
Vine-stem style of illumination, [184]
Visigothic writing, [14]
Volume, origin of term, [16]
Wattenbach on writing quoted, [15], [17], [18]
Wenzel Bible, [191]
Wilhelm v. Oransse, [165], [167]
Winchester work, earliest example of, [61]
Writing, its antiquity, [11]