"It's the trough where they feed the niggers out to the sharks."
"Faix, an' I'd loike to see it at feedin' time," answered Sweeny with a feeble chuckle.
Nature as it is is one image; nature as it appears is a thousand; or rather it is infinite. Every soul is a mirror, reflecting what faces it; but the reflections differ as do the souls that give them. To the three men who now gazed on the Great Cañon it was far from being the same object.
Sweeny surveyed it as an old Greek or Roman might, with simple distaste and horror. Glover, ignorant and limited as he was, received far more of its inspiration. Even while "chirking up" his companions with trivial talk and jests he was in his secret soul thinking of Bunyan's Dark Valley and Milton's Hell, the two sublimest landscapes that had ever been presented to his imagination. Thurstane, gifted with much of the sympathy of the great Teutonic race for nature, was far more profoundly affected. The overshadowing altitudes and majesties of the chasm moved him as might oratorios or other solemn music. Frequently he forgot hardships, dangers, isolation, the hard luck of the past, the ugly prospects of the future in reveries which were a succession of such emotions as wonder, worship, and love.
No doubt the scenery had the more power over him because, by gazing at it day after day while his heart was full of Clara, he got into a way of animating it with her. Far away as she was, and divided from him perhaps forever, she haunted the cañon, transformed it and gave it grace. He could see her face everywhere; he could see it even without shutting his eyes; it made the arrogant and malignant cliffs seraphic. By the way, the vividness of his memory with regard to that fair, sweet, girlish countenance was wonderful, only that such a memory, the memory of the heart, is common. There was not one of her expressions which was not his property. Each and all, he could call them-up at will, making them pass before him in heavenly procession, surrounding himself with angels. It was the power of the ring which is given to the slaves of love.
He had some vagaries (the vagaries of those who are subjugated by a strong and permanent emotion) which approached insanity. For instance, he selected a gigantic column of sandstone as bearing some resemblance to Clara, and so identified it with her that presently he could see her face crowning it, though concealed by the similitude of a rocky veil. This image took such possession of him that he watched it with fascination, and when a monstrous cliff slid between it and him he felt as if here were a new parting; as if he were once more bidding her a speechless, hopeless farewell.
During the greater part of this voyage he was a very uninteresting companion. He sat quiet and silent; sometimes he slightly moved his lips; he was whispering a name. Glover and Sweeny, who had only known him for a month, and supposed that he had always been what they saw him, considered him an eccentric.
"Naterally not quite himself," judged the skipper. "Some folks is born knocked on the head."
"May be officers is always that a way," was one of Sweeny's suggestions. "It must be mighty dull bein' an officer."
We must not forget the Great Cañon. The voyagers were amid magnitudes and sublimities of nature which oppressed as if they were powers and principalities of supernature. They were borne through an architecture of aqueous and plutonic agencies whose smallest fantasies would be belittled by comparisons with coliseums, labyrinths, cathedrals, pyramids, and stonehenges.