Image-worship in the West sustained by the Popes.—Quarrel between the Emperor and the Pope.—The Pope, aided by the Monks, revolts and allies himself with the Franks.
The Monks.—History of the Rise and Development of Monasticism.—Hermits and Cœnobites.—Spread of Monasticism from Egypt over Europe.—Monk Miracles and Legends.—Humanization of the monastic Establishments.—They materialize Religion, and impress their Ideas on Europe.
Influence of the Arabians.
The Arabian influence, allying itself to philosophy, was henceforth productive of other than military results. To the loss of Africa and Asia was now added a disturbance impressed on Europe itself, ending in the decomposition of Christianity into two forms, Greek and Latin, and in three great political events—the emancipation of the popes from the emperors of Constantinople, the usurpation of power by a new dynasty in France, the reconstruction of the Roman empire in the West.
The dispute respecting the worship of images led to those great events. The acts of the Mohammedan khalifs and of the iconoclastic or image-breaking emperors occasioned that dispute.
Worship of relics and images.
Nothing could be more deplorable than the condition of southern Europe when it first felt the intellectual influence of the Arabians. Its old Roman and Greek populations had altogether disappeared; the races of half-breeds and mongrels substituted for them were immersed in fetichism. An observance of certain ceremonials constituted a religious life. A chip of the true cross, some iron filings from the chain of St. Peter, a tooth or bone of a martyr, were held in adoration; the world was full of the stupendous miracles which these relics had performed. But especially were painted or graven images of holy personages supposed to be endowed with such powers. They had become objects of actual worship. The facility with which the Empress Helena, the mother of Constantine the Great, had given an aristocratic fashion to this idolatry, showed that the old pagan ideas had never really died out, and that the degenerated populations received with approval the religious conceptions of their great predecessors. The early Christian fathers believed that painting and sculpture were forbidden by the Scriptures, and that they were therefore wicked arts; and, though the second Council of Nicea asserted that the use of images had always been adopted by the Church, there are abundant facts to prove that the actual worship of them was not indulged in until the fourth century, when, on the occasion of its occurrence in Spain, it was condemned by the Council of Illiberis. During the fifth century the practice of introducing images into Its rapid spread in Christendom. churches increased, and in the sixth it had become prevalent. The common people, who had never been able to comprehend doctrinal mysteries, found their religious wants satisfied in turning to these effigies. With singular obtuseness, they believed that the saint is present in his image, though hundreds of the same kind were in existence, each having an equal and exclusive right to the spiritual presence. The doctrine of invocation of departed saints, which assumed prominence in the fifth century, was greatly strengthened by these graphic forms. Pagan idolatry had reappeared.
Simple fetiches replaced by images.
At first the simple cross was used as a substitute for the amulets and charms of remoter times; it constituted a fetich able to expel evil spirits, even Satan himself. This Being, who had become singularly debased from what he was in the noble Oriental fictions, was an imbecile and malicious though not a malignant spirit, affrighted not only at pieces of wood framed in the shape of a cross, but at the form of it made by the finger in the air. A subordinate dæmon was supposed to possess every individual at his birth, but he was cast out by baptism. When, in the course of time, the cross became a crucifix, offering a representation of the dying Redeemer, it might be supposed to have gathered increased virtue; and soon, in addition to that adorable form, were introduced images of the Virgin, the apostles, saints, and martyrs. The ancient times seemed to have come again, when these pictures were approached with genuflexions, luminaries, and incense. The doctrine of the more intelligent was that these were aids to devotion, and that, among people to whom the art of reading was unknown, they served the useful purpose of recalling Bleeding and winking images. sacred events in a kind of hieroglyphic manner. But among the vulgar, and monks, and women, they were believed to be endowed with supernatural power. Of some, the wounds could bleed; of others, the eyes could wink; of others, the limbs could be raised. In ancient times, the statues of Minerva could brandish spears, and those of Venus could weep.
Idolatry never extinguished in Greece and Italy.