History of the Intellectual Development of Europe, Volume I (of 2) / Revised Edition

by John William Draper

Prehistoric life of Egypt.

Traces of the prehistoric, premonumental life of Egypt are still preserved in the relics of its language, and the well-known principles of its religion. Of the former, many of the words are referable to Indo-Germanic roots, an indication that the country at an early period must have been conquered from its indigenous African possessors by intrusive expeditions from Asia; and this is supported by the remarkable principles of Egyptian religion. The races of Central Asia had at a very early time attained to the psychical stage of monotheism. Africa is only now emerging from the basest fetichism; the negro priest is still a sorcerer and rain-maker. The Egyptian religion, as is well known, provided for the vulgar a suitable worship of complex idolatry, but for those emancipated from superstition it offered true and even noble conceptions. The coexistence of these apparent incompatibilities in the same faith seems incapable of any other explanation than that of an amalgamation of two distinct systems, just as occurred again many ages subsequently under Ptolemy Soter.

Influence of Egypt on the knowledge and art of Europe.

As a critical attention is being bestowed by modern scholars upon Egyptian remains, we learn more truly what is the place in history of that venerable country. It is their boast that the day is not distant when there will be no more difficulty in translating a page of hieroglyphics than in translating one of Latin or Greek. Even now, what a light has been thrown on all branches of ancient literature, science, art, mythology, domestic life, by researches which it may be said commenced only yesterday! From Egypt, it now appears, were derived the prototypes of the Greek architectural orders, and even their ornaments and conventional designs; thence came the models of the Greek and Etruscan vases; thence came many of the ante-Homeric legends—the accusation of the dead, the trial before the judges of hell; the reward and punishment of every man, from the Pharaoh who had descended from his throne to the slave who had escaped from his chain; the dog Cerberus, the Stygian stream, the Lake of Oblivion, the piece of money, Charon and his boat, the fields of Aahlu or Elysium, and the islands of the blessed; thence came the first ritual for the dead, litanies to the sun, and painted or illuminated missals; thence came the dogma of a queen of heaven. What other country can offer such noble and enduring edifices to the gods; temples with avenues of sphinxes; massive pylons adorned with obelisks in front, which even imperial Rome and modern Paris have not thought it beneath them to appropriate; porticoes and halls of columns, on which were carved the portraits of kings and effigies of the gods? On the walls of the tombs still remain Pthah, the creator, and Neph, the divine spirit, sitting at the potters wheel, turning clay to form men; and Athor, who receives the setting sun into her arms; and Osiris, the judge of the dead. The granite statues have outlived the gods!

The hieroglyphics.

Moreover, the hieroglyphics furnish intrinsic evidence that among this people arose the earliest attempts at the perpetuation and imparting of ideas by writing. Though doubtless it was in the beginning a mere picture-writing, like that of the Mexicans, it had already, at the first moment we meet with it, undergone a twofold development—ideographic and phonetic; the one expressing ideas, the other sounds. Under the Macedonian kings the hieroglyphics had become restricted to religious uses, showing conclusively that the old priesthood had never recovered the terrible blows struck against it by Cambyses and Ochus. From that time forth they were less and less known. It is said that one of the Roman emperors was obliged to offer a reward for the translation of an obelisk. To the early Christian the hieroglyphic inscription was an abomination, as full of the relics of idolatry, and indicating an inspiration of the devil. He defaced the monuments wherever he could make them yield; and in many cases has preserved them for us by plastering them over to hide them from his sight.

In those enigmatical characters an extensive literature once existed, of which the celebrated books of Hermes were perhaps a corruption or a relic; a literature embracing compositions on music, astronomy, cosmogony, geography, medicine, anatomy, chemistry, magic, and many other subjects that have amused the curiosity of man. Yet of those characters the most singular misconceptions have been entertained almost to our own times. Thus, in 1802, Palin thought that the papyri were the Psalms of David done into Chinese, Lenoir that they were Hebrew documents; it was even asserted that the inscriptions in the temple of Denderah were the 100th Psalm, a pleasant ecclesiastical conceit, reminding one who has seen in Egyptian museums old articles of brass and glass, of the stories delivered down from hand to hand, that brass was first made at the burning of Corinth, and glass first discovered by shipwrecked mariners, who propped their kettle, while it boiled, on pieces of nitre.

Antiquity of the Egyptian monarchy.

Thousands of years have passed since the foundation of the first Egyptian dynasty. The Pyramids have seen the old empire, the Hycksos monarchs, the New Empire, the Persian, the Macedonian, the Roman, the Mohammedan. They have stood while the heavens themselves have changed. They were already "five hundred years old when the Southern Cross disappeared from the horizon of the countries of the Baltic." The pole-star itself is a newcomer to them. Humboldt, referring to these incidents, remarks that "the past seems to be visibly nearer to us when we thus connect its measurement with great and memorable events." No country has had such a varied history as this birthplace of European civilization. Through the darkness of fifty centuries we may not be able to discern the motives of men, but through periods very much longer we can demonstrate the conditions of Nature. If nations, in one sense, depend on the former, in a higher sense they depend on the latter. It was not without reason that the Egyptians Causes of the rise of civilization. took the lead in Mediterranean civilization. The geographical structure of their country surpasses even its hoary monuments in teaching us the conditions under which that people were placed. Nature is a surer guide than the traces of man, whose works are necessarily transitory. The aspect of Egypt has changed again and again; its structure, since man has inhabited it, never. The fields have disappeared, but the land remains.

Why was it that civilization thus rose on the banks of the Nile, and not upon those of the Danube or Mississippi? Civilization depends on climate and agriculture. In Egypt the harvests may ordinarily be foretold and controlled. Of few other parts of the world can the same be said. In most countries the cultivation of the soil is uncertain. From seed-time to harvest, the meteorological variations are so numerous and great, that no skill can predict the amount of yearly produce. Without any premonition, the crops may be cut off by long-continued droughts, or destroyed by too much rain. Nor is it sufficient that a requisite amount of water should fall; to produce the proper effect, it must fall at particular periods. The labour of the farmer is at the mercy of the winds and clouds.