Old Schools' Quadrangle.
All these, Colleges and Hostels alike, were seized upon by Henry the Eighth, when that rapacious and unprincipled monarch desired to pose (in 1546, a year before his death) as a Pious Founder, and go down to posterity as a benefactor. He gained this credit cheaply; for not only did he thus get his edifices ready made, but their endowments also; while such additional endowments as he bestowed on his new College were almost wholly derived from the spoil of the Abbeys suppressed by him. Nor did he fail to take toll of each transfer of this stolen property for the benefit of his exchequer. His professed object, meanwhile, was "to educate Youth in piety, virtue, self-restraint, charity towards the poor, and relief of the distressed." His alumni, in short, were to be made as opposite to himself in character as possible.
From the very first, Trinity thus became almost the largest and wealthiest College in Cambridge. For a century it disputed the headship of the University with its neighbour, St. John's College, and for another century and more sang second to that great rival. But in 1785 it drew ahead, and since that date has improved its lead without a check, till now it stands not only first but without a second. So large is it that it cannot, for very sportsmanship, row as a whole in the bumping races, but has to be divided for that purpose into two boat clubs, denominated respectively "First Trinity" and "Third Trinity,"—or, in common speech, "First" and "Third" simply. The former is the original "Trinity Boat Club" and this is still its official name, whence it is also known as the "T.B.C." It wears the original Trinity colours,—dark blue,[26] with the badge of a golden lion and three crowns, the device of King Edward the Third. The latter consists of Trinity men from the two great rowing schools, Eton and Westminster. It is, of course, a very much smaller body than "First," but, as its members come up ready-made oarsmen, it has been almost as frequently Head of the River. Both boats are always in the first flight. Once there existed a "Second Trinity" club, which has long since ceased to maintain its existence.
We enter the precincts of this great College by "that long walk of limes," up which Tennyson passed, as he tells us in "In Memoriam," when he re-visited Cambridge, "to view the rooms" once inhabited by his friend and hero, Arthur Hallam.[27] This avenue was planted in 1672,[28] and leads us to the fine cycloidal[29] bridge, built at the same period. After crossing this, we should not keep straight, which would bring us into the "New Court" where Hallam dwelt (a poor bit of architecture erected 1825), but rather turn to the left, by the path that sweeps along the bank of the river, with its fine weeping willows. Looking back, as we leave the bridge behind us, we may admire the climbing agility which frequently enables undergraduates to descend to the projecting piers just above the water, and find their way back again, without a ducking.
We have here in front of us the New Court of St. John's College, seen across its lawn-tennis grounds; while to our left is the magnificent range of horse-chestnuts along the boundary of the two Colleges. Splendid at all times, these are seen at their very best when duly touched by frost. To our right rises the fine mass of Trinity Library, built by Sir Christopher Wren in 1675; whose walls of warm-coloured stone have been already dwelt upon. The lower portion of the building forms an open cloister, with grated windows and gates barring it from the Backs where we stand.
Through one of these gates our path leads us, and we find ourselves within the College, and at the door of the Library. At certain hours, usually between three and four in the afternoon, this is open to visitors; at others the escort of a Member of the College is needed. Of all the College Libraries in Cambridge this is the most interesting in its miscellaneous contents. Mounting the wide stone stair-way, we enter the long, wide, lofty, vaulted gallery, with a series of wooden book-cases projecting from either wall all along its course. The carved wreaths of flowers and leaves and fruitage which adorn these cases deserve careful notice. They are by Grinling Gibbons, probably the most wonderful wood carver who ever lived, and their intricacies bear striking testimony to his almost superhuman skill. In the recesses between the cases are to be seen sundry curios, from the College estates and other sources, while more are to be found in the long ranges of glass-covered tables topping the smaller book-shelves which line either side of the central passage way. Roman and Anglo-Saxon antiquities, and a splendid series of coins and medals, are here exhibited. Amongst the miscellaneous curios are a model of Cæsar's famous bridge across the Rhine and a globe of the planet Mars.
What will, however, first catch our eye on entering, will be the window at the southern end of the room, with its painted glass so unlike anything to be seen elsewhere. It is, in fact, unique, having been made in the middle of the eighteenth century by the discoverer of this particular method of staining glass, who kept the process secret—a secret which died with him and has never been recovered. The window cannot be called artistically beautiful, and the subject is weird. The University of Cambridge, represented as a lady in a somewhat scanty robe of yellow, is presenting Sir Isaac Newton to King George the Third (who did not come to the Throne till 1760, many years after the great philosopher died), while the transaction is being recorded by Francis Bacon Lord Verulam of Elizabethan fame!
Beneath this window is Thorwaldsen's fine marble statue of Lord Byron, one of Trinity's greatest poets. This was originally intended for Poets' Corner in Westminster Abbey, but the Dean and Chapter of the period so strongly disapproved of Byron's morality that they refused it a place there. Apart from his poetical genius, he as little deserved to be honoured in Trinity library; for, as an undergraduate, he not only accomplished the apparently impossible feat of climbing by night to the roof (which others have more than once done since)[30] but abominably disfigured the statues upon it, in which he has had, happily, no imitators. Other relics of him are preserved hard by, which are supposed to bear upon the thrilling question as to how far he had or had not a club foot.[31]
For these few will care; but this end of the library contains things which few can fail to care about. Here is the death-mask of Sir Isaac Newton, and a reflecting telescope, on the model invented by him. Here is Thackeray's manuscript of "Esmond," and Tennyson's manuscript of "In Memoriam." Here is Milton's manuscript of "Lycidas," and his first design for "Paradise Lost," all cut and scored about with alterations and corrections, showing that he originally designed his great poem to be a drama, the characters of which (headed by Moses) are here listed. Here, too, is a copy of the "Solemn League and Covenant" imposed on all men by the Puritans at the time of the Great Rebellion.[32] This was found hidden amongst the rafters of a village church near Cambridge.
And here is a copy of the famous Indulgence sold by Tetzel, Luther's denunciation of which gave the signal for the earliest outburst of Protestantism at the Reformation. When the crabbed old printing is deciphered it proves to be a startlingly mild document, no licence to commit sin, as is generally supposed, but merely granting to the purchaser the privilege of confessing, once in his life, to a priest of his own choice instead of to the parson in whose parish he dwelt. The priest so chosen is given authority to absolve from nearly all sins, but not from the heinous offence of buying alum from anyone except the Pope, in whose territory it had, at that date (1515), been recently discovered. Alum was in those days a most valuable substance, and had hitherto been attainable only at the Turkish town of Roc, in Syria, whence the name of "rock alum" still surviving in use amongst pharmacopœists. To buy it there was not only to take money out of the pocket of the Pope, but to put it into those of the enemies of Christendom. Hence the heinousness of the offence.