Fig. 130. Sir Christopher Wren's Library at S. Paul's Cathedral, London, looking north-east.
The library ([fig. 130]) is a well-lighted room, with an area measuring 53 ft. by 32 ft, and of sufficient height to admit of the introduction of a gallery under the vault. A massive stone pier projects into the room at each corner, so as to break the formal regularity of the design in a very pleasing manner. The gallery, together with the bookcases, which stand against the walls, both in the gallery and below it, were either designed by Wren himself, or placed there with his approval. The Building Accounts[509] contain many valuable pieces of information respecting the history of the room and its fittings. The floor "in the south library" was laid down in July, 1708, as was also that in the gallery; the windows "in the north and south library," words which shew very clearly that the corresponding room on the north side was also intended for a library, were painted in December, 1708; and the ornamental woodwork was supplied in March, 1708-9. From the entries referring to these works I will quote the following, as it particularises the most striking feature in the room, namely, the large ornamental brackets which appear to support the gallery:
To Jonathan Maine Carver in the South Library, viz. For carving 32 Trusses or Cantalivers under the Gallary, 3 ft. 8 in. long, and 3 ft. 8 in. deep and 7 in. thick with Leather worke cut through and a Leaf in the front and a drop hanging down with fruit and flowers etc. at 6l. 10s. each.
208l.——
The words "leather work," used in the above entry, are singularly suitable, for the whole composition looks more like something molded out of leather or plaster than cut out of a solid piece of wood. The vertical portion, applied to the pilasters, consists of a bunch of flowers, hops, and corn, somewhat in the manner of Grinling Gibbons, who has been often named as the artist. The above-mentioned pilasters divide the wall-space into 33 compartments, each of which is from 3 ft. 6 in. to 4 ft. wide, and 9 ft. high, exclusive of the plinth and cornice, and fitted with six shelves, which are apparently at the original levels.
The gallery is approached by a staircase contrived in the thickness of the south-west pier. It is 5 ft. wide, and fitted with bookcases ranged against the wall in the same manner as those below, but they are loftier, and of plainer design. The balustrade, a molded cornice of wood, supported on pilasters of the same material, which recall those separating the compartments below, and the great stone piers, enriched with a broad band of fruit, flowers, and other ornaments set in a sunk panel, are striking features of this gallery.
The material used throughout for the fittings is oak, which fortunately has never been painted, and has assumed a mellow tone through age which produces a singularly beautiful effect.
If we now return to Cambridge, we shall find that the influence of Wren can easily be traced in all the library fittings put up in the course of the 18th century. The first work of this kind undertaken was the provision of additional fittings to the library of Emmanuel College[510] between 1702 and 1707. The tall cases, set up at right angles to the walls in 1679, were moved forward, and shelves in continuation of them were placed against the side-walls. The same influence is more distinctly seen in the library of S. Catharine's Hall[511], which was fitted up, according to tradition, at the expense of Thomas Sherlock, D.D., probably while Master, an office which he held from 1714 to 1719. The room is 63 ft. 6 in. long by 22 ft. 10 in. wide; and it is divided by partitions into a central portion, about 39 ft. long, and a narrow room at each end, 12 ft. long. Each of these latter is lighted by windows in the north and south walls; the former has windows in the south wall only. The central portion is divided into three compartments by bookcases which line the walls, and project from them at right angles; in the two smaller rooms the cases only line the walls, the space being too narrow for any other treatment.
When the building of the new Senate House had set free the room called the Regent House, in which the University had been in the habit of meeting from very early times, it was fitted up, between 1731 and 1734, as part of the University Library[512]. Wren's example was followed as far as the nature of the room would permit. Wherever a blank wall could be found, it was lined with shelves, and the cases placed at right angles to the side-walls were continued over the narrow spaces left between their ends and the windows. One of these cases, from the south side of the room, is here shewn ([fig. 131]). The shelves under the windows were added subsequently. A similar arrangement was adopted for the east room in 1787-90.
At Clare College, at about the same date, the new library over the kitchen was fitted up with shelves placed against the walls. These fittings are excellent specimens, ornamented with fluted Ionic pilasters, an elaborate cornice, and pediments above the doors. It is worth noting, as evidence of the slowness with which new fashions are accepted, that the antiquary William Cole, writing in 1742, calls this library "a very large well-proportion'd Room à la moderne, wth ye Books rang'd all round it & not in Classes as in most of ye rest of ye Libraries in other Colleges[513]."