The Bibliothèque Sainte-Geneviève, at Paris, offered originally a splendid example of a library arranged in this manner. It consisted of two galleries, at right angles to each other, fitted up in the same style as the library at Rheims. The longest of these galleries was 147 ft. long by 24 ft. wide. The guidebooks prepared for the use of visitors to Paris in the middle of the 18th century dwell with enthusiasm on the convenience and beauty of this room. The books were protected by wire-work; between each pair of cases was a bust of a Roman emperor or an ancient philosopher; at the crossing of the two galleries was a dome which seemed to be supported on a palm-tree in plaster-work at each corner, out of the foliage of which peered the heads of cherubs; while the convenience of readers was consulted by the liberality with which the library was thrown open on three days in every week, and furnished with tables, chairs, a ladder to reach the upper shelves, and a pair of globes[517]. This library was begun in 1675, and placed, like that at Rheims, directly under the roof. The second gallery, which is shorter than the first, was added in 1726. It was not disturbed at the Revolution, nor under the Empire, though the rest of the abbey-buildings became the Lycée Napoléon. After the Restoration, when this school became the College Henri IV., the presence of the library was found to be inconvenient, and in 1850 it was removed to a new building close to the Pantheon. The galleries are now used as a dormitory for the school-boys, but the dome, with some of its decorations, still survives.
Another example of this arrangement, which seems to have been peculiarly French, is afforded by the library of Saint Germain-des-Près, the gradual extension of which I have already described[518]. The books were contained in oak presses set against the walls. Above them was a series of portraits representing the most important personages in the Order of S. Benedict. This library was open to the public daily from 9 to 11 a.m. and from 3 to 5 p.m.[519]
I will conclude this chapter with a few words on the library of the most famous of all European monasteries, namely Monte Cassino, the foundation of which was undoubtedly laid by S. Benedict himself. I confess that I had hoped to find there a library which might either by its position or its fittings recall the early days of monasticism; but unfortunately the piety of the Benedictine Order has induced them to rebuild their parent house in a classical style, and to obliterate nearly every trace of the primitive building. The library, to which I was obligingly conducted by the Prior, is 60 ft. long by 30 ft. broad, with two large windows at the end opposite to the door. The side-walls are lined with bookcases divided by columns into four compartments on each side, after the fashion of Cardinal Mazarin's library. These columns support a heavy cornice with handsome ornaments. A band of woodwork divides the cases into an upper and lower range, but there is no trace of a desk. I could not learn the date at which these fittings had been constructed, but from their style I should assign them to the middle of the seventeenth century[520].