Mentitur qui [te] totum legisse fatetur:
An quis cuneta tua lector habere potest?
Namque voluminibus mille, Augustine, refulges,
Testantur libri, quod loquor ipse, tui.
Quamvis multorum placeat prudentia libris,
Si Augustinus adest, sufficit ipse tibi.
They lie who to have read thee through profess;
Could any reader all thy works possess?
A thousand scrolls thy ample gifts display;
Thy own books prove, Augustine, what I say.
Though other writers charm with varied lore,
Who hath Augustine need have nothing more.
The series concludes with some lines "To an Intruder (ad Interventorem)," the last couplet of which is too good to be omitted:
Non patitur quenquam coram se scriba loquentem;
Non est hic quod agas, garrule, perge foras.
A writer and a talker can't agree:
Hence, idle chatterer; 'tis no place for thee.
Fig. 16. Great Hall of the Vatican Library, looking west.
With these three examples I conclude the section of my work which deals with what may be called the pagan conception of a library in the fulness of its later development. Unfortunately, no enthusiast of those distant times has handed down to us a complete description of his library, and we are obliged to take a detail from one account, and a detail from another, and so piece the picture together for ourselves. What I may call "the pigeon-hole system," suitable for rolls only, was replaced by presses which could contain rolls if required, and certainly did (as shewn ([fig. 13]) on the sarcophagus of the Villa Balestra), but which were specially designed for codices. These presses were sometimes plain, sometimes richly ornamented, according to the taste or the means of the owner. With the same limitations the floor, the walls, and possibly the roof also were decorated. Further, it was evidently intended that the room selected for books should be used for no other purpose; and, as the books were hidden from view in their presses, the library-note, if I may be allowed the expression, was struck by numerous inscriptions, and by portraits in various materials, representing either authors whose works were on the shelves, or men distinguished in other ways, or friends and relations of the owner of the house.