Fig. 27. Press in the church at Obazine, Central France. From a photograph.
It is of oak, very coarse, rough, and massive. It is 9 ft. 3 inches high, from floor to top, 17 ft. 2 inches long—(it was originally 3 ft. longer)—and 3 ft. deep. There are two rows of cupboards each 3 ft. 8 inches high, with massive doors that still preserve their original ironwork. The whole piece of furniture has once been painted, indications of which still exist, but the subjects can no longer be made out. M. Viollet-le-Duc[196], who possibly saw the paintings when they were in a better state of preservation than when I examined them in 1896, decides that they once represented the translation of relics.
My second example ([fig. 27]) is in the church of Obazine in Central France (Département de la Corrèze). It is far simpler and ruder than the press in Bayeux Cathedral; and the style of ornamentation employed indicates a somewhat earlier date; though M, Viollet-le-Duc places the construction of both in the first years of the 13th century. It is 6 ft. 7 in. high, by 7 ft. broad, and 2 ft. 7 in. deep. The material is oak, which still bears a few traces of having once been painted[197].
These pieces of furniture were certainly not made specially for books; but, as they belong to a period when the monastic system was in full, vigorous, life, it is at least probable that they resemble those used by monks to contain their books. I have shewn in the previous chapter that in ancient Rome the press used for books was essentially the same as that used for very different purposes; and I submit that it is unnecessary to suppose that monastic carpenters would invent a special piece of furniture to hold books. They would take the armarium that was in daily use, and adapt it to their own purposes.
Before I leave this part of my subject I must mention that there is a third press in the Church of Saint Germain l'Auxerrois, Paris. It stands in a small room over the south end of the west porch, which may once have been a muniment room. It was probably made about a century later than those which I have figured. In arrangement it bears a general resemblance to the example from Bayeux. It consists of six cupboards arranged in two tiers, the lower of which is raised to the level of a bench which extends along the whole length of the piece of furniture, with its ends mortised into those of the cupboards. The seat of this bench lifts up, so as to form an additional receptacle for books or papers[198].
The curious wooden contrivances called carrells, which are mentioned in the above quotation from the Rites of Durham, have of course entirely disappeared. Nothing is said about their height; but in breadth each of them was equal to the distance from the middle of one mullion of a window to the middle of the next; it was made of wainscot, and had a door of open carved work by which it was entered from the cloister. This arrangement was doubtless part of the systematic supervision of brother by brother that was customary in a monastery. Even the aged, though engaged in study, were not to be left to their own devices. I have carefully measured the windows at Durham ([fig. 28]); and, though they have been a good deal altered, I suppose the mullions are in their original places. If this be so the carrells could not have been more than 2 ft. 9 in. wide, and the occupant would have found but little room to spare. There are eleven windows, so that thirty-three monks could have been accommodated, on the supposition that all were fitted with carrells.
