Hitherto Horace by the side of "Tacitus" has been no better than a clay pitcher by a porcelain vase; thus his disparaging, but, doubtless, quite correct estimate of Labeo has been till now altogether disregarded, in consequence of this passage in the Annals, from its author being credited with having exceeded what the ancient Romans had left us in the way of history.

So great is the repute of the Author of the Annals for supremacy in the historian's art that Justus Lipsius places no faith whatever in Suetonius when that, possibly, most veracious historian records in his Life of Tiberius (61) the number of the people who were executed for their attachment to Sejanus as amounting to twenty; the universally applauded, and, generally considered, most judicious Batavian critic of the sixteenth century, without a manuscript or edition for his authority, alters this number for One Thousand, because the author of the Annals speaks of a "countless" mass of slain of all ranks, ages, and both (he says "all") sexes, and further describes corpses as lying about singly or piled up in heaps: "jacuit immensa strages, omnis sexus, omnis aetas, illustres, ignobiles, dispersi aut aggerati" (VI. 19).

Hence, too, Dr. Nipperdey, in drawing up a table of the Augustan family, in order to guard the reader against being perplexed by the relationships of that house, treats the same Suetonius as of no account when he says,—and Suetonius twice says it (Cal. I., Ner. 5),—that Drusus, the brother of Tiberius, married "the younger Antonia." "In default of other evidence on the question of fact," says the learned professor, "we must follow the better author, Tacitus,"—the better author being the writer of the Annals, who, on two occasions (I. 42; XII. 64), makes the "elder Antonia" the wife of Drusus.

Examples of this description could be multiplied. But it is not necessary to pursue this line of argument farther,—at least, at present. What is required just now is not so much proof that the author of the Annals did not write like the Romans, but that he did not write like Tacitus, notwithstanding the strenuous efforts he made to imitate him, and be mistaken for him by contemporaries and posterity. To do this I must bring forward from the History and the Annals an accumulation of coincidences, seeing that the fabricator, being a most acute person, must have proceeded upon the same principle as a man who forges a cheque upon a banker, and who, in the prosecution of his design, endeavours to imitate, as closely as he can, the handwriting of his victim, and do everything carefully enough to escape immediate detection, whatever may afterwards ensue.

CHAPTER III.

SUSPICIOUS CHARACTER OF THE ANNALS FROM THE POINT OF TREATMENT.

I. Nature of the history.—II. Arrangement of the narrative.— III. Completeness in form.—IV. Incongruities, contradictions and disagreements from the History of Tacitus.—V. Craftiness of the writer.—VI. Subordination of history to biography.—VII. The author of the Annals and Tacitus differently illustrate Roman history.—VIII. Characters and events corresponding to characters and events of the XVth century.—IX. Greatness of the Author of the Annals.

I. Before proceeding to point out the imitations, and show where, in the efforts to write, and make history after the likeness of Tacitus, the author of the Annals fails; and, from the signal nature of his failures, his efforts are seen to be counterfeit, I may observe that a constant endeavour on his part to escape detection renders his imposture difficult to perceive and still more difficult to expose. A man of his penetration and power to enter far into subjects was, of course, deep enough to contrive every species of artifice to conceal his fraud; and as we have no record of his having been seen in the act of fabrication, or of his ever having been even suspected of so doing, I must prove the forgery by a detail of facts and circumstances. I can do this only by going through the Annals minutely,—examining the matter, manner, treatment, knowledge, views, sentiments, language, style, —in fact, a variety of circumstances,—everything that can be thought of;—for if it really be a forgery, it cannot be exactly like the History of Tacitus in any one thing, whatever that one thing be;—then I shall leave the reader to himself, to take into account the whole of the circumstances, and judge whether such a combination could have existed in a genuine work by Tacitus, and is compatible with such a production.

We are to look, first, what the nature of the history purports to be;—whether there is nothing peculiar as to its character.

It will be obvious to the least sagacious that the most paramount and absolutely necessary thing to be accomplished was a vast and comprehensive execution that should correspond to the vast and comprehensive execution of Tacitus. Here was something to be done seemingly insuperable; for how can any one hope to imitate the execution of another, with such marvellous nicety that no distinction can be discerned between the two on the minutest test of microscopic investigation? more especially if the execution to be imitated be that of a man of real genius, consequently unparalleled in its way, of a mighty nature, and, in addition to its mightiness, a thing of the purest individuality. Now, the History of Tacitus is an execution of this description; it is a work of real genius; therefore, it is a distinct essence,—a realization of all the special aptitude possessed by the master-spirit that penned it. But though this cannot be done, yet any one having genius,—and a powerful genius,—by following its bent directly, may expect to exhibit in the execution of a work an ability that shall be considered equal to the ability displayed in the execution of another, even though that other be a man of great genius; but it can only be upon this very sage precaution,—that he exercises his ability, which must necessarily be of a very different kind, in quite a different manner. The forger of the Annals had much too acute a discernment not to know this;—he was also well aware that he had a very strong forte. We know the department in which he excelled,—dealing with despotism, servility and bloodshed. But then, if he was to do this, he would do that, which would be a very strong proof that his work was a forgery; for if he was to do this, he could not take up the continuance of history as Tacitus intended to go on with it namely, with Nerva and Trajan;—that he could not do, because in dealing with those two rulers he would have to deal with men remarkable for mildness, generosity, leniency and good- heartedness;—thus he would have to deal with a subject which must be fatal to his attempt; for it would be opposed to the play of his peculiar gifts, which to be brought out properly required that he should write only of Emperors noted for cruel, unnatural, blood-thirsty tyranny. The plan of his undertaking, to be attended with success, therefore compelled him, whether he liked it or not, to go back to Tiberius, Caligula, Claudius and Nero.