[NELLY M. McAFEE]
Mrs. Nelly (Nichol) Marshall McAfee, novelist and verse writer, was born at Louisville, Kentucky, May 8, 1845, the daughter of Humphrey Marshall, the younger. When but eighteen years of age she embarked upon a literary career. Her verse and short-stories appeared in many of the best American newspapers and magazines, and they brought her a wide reputation. On February 13, 1871, after a romantic courtship of some years, Miss Marshall was married to Captain John J. McAfee, a former Confederate soldier, then a member of the Kentucky legislature. Mrs. McAfee published two volumes of verse, entitled A Bunch of Violets, and Leaves From the Book of My Heart. Her novels include Eleanor Morton, or Life in Dixie (New York, 1865); Sodom Apples (1866); Fireside Gleamings (Chicago, 1866); Dead Under the Roses (1867); Wearing the Cross (Cincinnati, 1868); As by Fire (New York, 1869); Passion, or Bartered and Sold (Louisville, 1876); and A Criminal Through Love (Louisville, 1882). Mrs. McAfee died at Washington, D. C., about 1895.
Bibliography. Woods-McAfee Memorial History, by N. M. Woods (Louisville, 1905); Dictionary of American Authors, by O. F. Adams (Boston, 1905).
FINALE
[From A Criminal Through Love (Louisville, Kentucky, 1882)]
Many years have been gathered to the illimitable past, and we find ourselves, with undiminished interest, seeking to learn all we can in regard to the positions and attainments of the characters who have been with us for so long.
This is the gist of what we have learned about them.
Walter Floor's firm has grown and flourished; the dark cloud of sorrow that so long overshadowed his sky, has rolled away, and he is nevermore melancholy or oppressed. His home is the resting-place and haven for everybody who chooses to enjoy shelter and repose. Constant and Valentine are standing guests at the Floor mansion; the talented painter has no longer any need to work for money. The mention of his name opens every door to him, and Fortune and Fame await him with their arms laden with golden sheaves and shining laurel wreaths. His greatest work of art—his masterpiece—was taken from Mozart's Opera of Don Juan. At a glance any one could tell that the artist painted the portrait con amore, for Donna Anna was nothing more than a portrait of Margarethe Heinold—whom we must ever after this moment remember only as Margarethe Hendrik. More happiness than came with this name to her could scarcely be enjoyed by mortal. Great sums were offered again and again to Constant for this picture, but he refused to sell it; it now graces the elegant Salon of Julian Hendrik in his magnificent villa, which stands on the banks of the Rhine.
Margarethe, after the night of her brilliant debut, never stepped upon the boards. She was often urged to let the world hear her splendid voice, which returned to her in all its volume and beauty after she regained her health, but she refused to entertain the proposition for an instant, declaring that public life, however glorious, had no charms for her; that she lived only for her husband, to whom she becomes ever more tenderly attached the better she became acquainted with his noble heart, elevated mind, and peerless character as a man and a gentleman.
Didier Mametin is still in Paris; at the death of old Vincent he became his heir, and was at last able to open such a photographer's Atelier as other artists pronounced perfect in every detail. The lighthearted Frenchman, never accustomed to an extravagant mode of living, is just as merry in humor and abstemious in diet as of yore. Henriette often declares that he acts as if he were afraid of starving—he is such a hoarder for "rainy days." But Didier had a varied experience, and the lessons he learned were not easily forgotten. One happy fact remains: He and Henriette love each other dearly, and would not exchange their places or give up their home to be a king and queen and live in a palace.