[From Observations in Europe (New York, 1844, v. ii)]
The first impression of London is usually wonder at its immensity. I received this impression in its full force, as the reader will have already perceived, in coming up the Thames. Nor did it diminish in the course of my rambles through the great metropolis, subsequently. When the stranger first leaves the river, and plunges into the thronged streets, he absolutely becomes dizzy in the whirl of busy life around him. Men sweep by him in masses; at times the way seems wedged with them: wagons, carts, omnibuses, hacks, and coaches block up the avenues, and make it quite an enterprise to cross them. Every day my amazement increased at the extent, the activity, the wealth of London. The impression was totally different from that of Paris. The French capital strikes you as the seat of human enjoyment. You find the art of life, so far as mere physical good is concerned, in perfection there. No wish need be ungratified. Your taste may be gratified with the finest music, the most fascinating spectacles, the most splendid works of art in the world. You may eat and drink when and where you please; in half an hour, almost any delicacy that earth has produced or art invented is set before you. You may spend days and weeks in visiting her museums, her hospitals, her gardens, her cemeteries, her libraries, her palaces, and yet remain unsatisfied. In London everything is different. Men are active, but it is in pursuit of wealth. In general they do not seem to enjoy life. The arts are cultivated to a small extent by a small class of society; the mass seem hardly to know that arts exist. No splendid collections are open, without fee or reward, to the public, or to you. You can purchase gratification, but of a lower order than in Paris, and at a higher price. Except a few lions—the Docks, the Tunnel, Westminster Abbey, &c.—nearly everything that the city has to show to a stranger can be seen as you ride along the streets. When you leave Paris you have just begun to enjoy it, and desire to return again; you leave London convinced, indeed, of its vastness and wealth, but tired of gazing at dingy buildings and thronged streets, and are satisfied without another visit. Such, at least, were my own impressions. Apart from private friendships and professional interests, I have no care to see London again.
[FORTUNATUS COSBY, Jr.]
Fortunatus Cosby, Junior, poet and editor, the son of a distinguished lawyer, was born near Louisville, Kentucky, May 2, 1801. He was educated at Yale and Transylvania, then studied law, but, like so many literary men have done, never practiced. Cosby was a passionate lover of books, and most of his life was spent among his collection. He was wealthy and well able to indulge his taste to any extreme. His kinsman, President Thomas Jefferson, offered to make him secretary of the legation at London, but he declined. Cosby was some years later superintendent of the Philadelphia public schools, and a contributor to Graham's Magazine, as well as to other high-class periodicals. In 1846 he was editor of the Louisville Examiner, the first Kentucky paper devoted to emancipation of the slaves. In 1860 Cosby was appointed consul to Geneva, and the next eight years of his life were devoted to his diplomatic duties and to traveling. He returned to the United States in 1868, and to his old home near Louisville. There death found him in June, 1871. Several of his friends, which included William Cullen Bryant, Rufus W. Griswold, and George D. Prentice, often urged Cosby to collect his verse and bring it together in a volume, but he was "too careless of his fame to do it;" and "many waifs he from time to time contributed to the periodicals," are now lost to the general public. He is, of course, well represented in all of the anthologies of American poetry, but a collection of his writings should be made. Cosby's best work is to be seen in his Fireside Fancies, Ode to the Mocking Bird, The Traveler in the Desert, and A Dream of Long Ago. He has often been pronounced the best song writer this country has produced; and that he was a man of fine culture, an ardent lover of books and Nature, and a maker of charming and exquisite verse can be readily proved.
Bibliography. The Poets and Poetry of the West, by W. T. Coggeshall (Columbus, Ohio, 1860); Blades o' Bluegrass, by Fannie P. Dickey (Louisville, Kentucky, 1892).
FIRESIDE FANCIES
[From The Poets and Poetry of the West, edited by W. T. Coggeshall (Columbus, Ohio, 1860)]
By the dim and fitful firelight
Musing all alone,
Memories of old companions
Dead, or strangers grown;—
Books that we have read together,
Rambles in sweet summer weather,
Thoughts released from earthly tether—
Fancy made my own.
In my cushioned arm-chair sitting
Far into the night,
Sleep, with leaden wings extinguished
All the flickering light;
But, the thoughts that soothed me waking,
Care, and grief, and pain forsaking,
Still the self-same path were taking—
Pilgrims, still in sight.