He was momently sinking, drawn ever outward by the undercurrent, and downward by the weighty burden throttling him in its senseless grasp. He looked once more through a blinding veil of foam, and saw the boat dipping far to the left. A phantasm of life flickered before him. Unsuspected trivialities shook out of their cells, and amazed him with the pygmy thrift of memory. Then came a sense of confusion, as if the spiritual and corporal lost each its boundary and ranged wild, and Wade felt the sea in his eyes, stroking them down as gently as ever any watcher by the dying.


[CORDIA GREER PETRIE]

Mrs. Cordia Greer Petrie, a talented writer of very great promise and of decided performance, was born near Merry Oaks, Kentucky, February 12, 1872. When she was a child her parents removed to Louisville, Kentucky, and in the public schools of that city she was educated, after which she spent a half-year at old Eminence College, Eminence, Kentucky. In July, 1894, Miss Greer was married to Dr. Hazel G. Petrie, of Fairview, Kentucky, who, for the past ten years, has been mine physician in various sections of eastern Kentucky. At the present time he is serving six mines and making his home at Chenoa, near Pineville, Kentucky. In her writings Mrs. Petrie has created a character of great originality in Angeline Keaton, an unlettered inhabitant of a remote Kentucky hamlet. "Of the original Angeline," Mrs. Petrie once wrote, "I know but little. She and her shiftless, 'no-erkount' husband, Lum, together with her son, Jeems Henry, lived in Barren county, not far from Glasgow. Angeline supported the family by working on the 'sheers,' 'diggin one half the taters fur tother half!' She was very anxious for her boy to 'git an edjycation' and no sooner would he get comfortably settled in a 'cheer' until she would exclaim, 'Jeems Henry! Git up offen them britches, you lazy whelp! Git yer book and be gittin some larnin in your head!' Without a word Jim Henry would climb up the log wall and from under the rafters abstract his blue back speller." Characterization is Mrs. Petrie's chief strength; and she is a positive refutation of the masculine dictum that women lack humor. With her friend, Miss Leigh Gordon Giltner, the short-story writer, she collaborated on an Angeline sketch, entitled "When the Bees Got Busy," which was published in the Overland Monthly for August, 1904; and the prize story reprinted at the end of this note is the only other Angeline story that has been published so far. She has won several prizes with other stories, but a group of the Angeline sketches are in manuscript, and they will shortly appear in book form. Angeline Keaton, "with her gaunt angular form clad in its scant calico gown," is sure to "score" when she makes her bow between the covers of a book. She is every bit as cleverly conceived as Mrs. Wiggs, Susan Clegg, or any of the other quaint women who have recently won the applause of the American public.

Bibliography. Letters from Mrs. Petrie to the Author; Miss Leigh Gordon Giltner's study in The Southern Home Journal (Louisville).

ANGELINE JINES THE CHOIR

[From The Evening Post (Louisville, Kentucky)]

She sat upon the edge of the veranda, fanning herself with her "split" sunbonnet, a tall, angular woman, whose faded calico gown "lost connection" at the waist line. Her spring being dry, she came to our well for water. Discovering that Angeline Keaton was a "character," I invariably inveigled her to rest awhile on our cool piazza before retracing her steps up the steep, rocky hillside to her cabin home.

"I missed you yesterday," I said as a starter.