The great masters, were their eyes to fall on our idle words, might haply smile—not contemptuously—on our ignorance of art—but graciously on our knowledge of nature. All we have to do, then, is to learn the theory and practice of art—and assuredly we should forthwith set about doing so, had we any reasonable prospect of living long enough to open an exhibition of pictures from our own easel. As it is, we must be contented with that Gallery, richer than the Louvre, which our imagination has furnished with masterpieces beyond all price or purchase—many of them touched with her own golden finger, the rest the work of high but not superior hands. Imagination, who limns in air, has none of those difficulties to contend with that always beset, and often baffle, artists in oils or waters. At a breath she can modify, alter, obliterate, or restore; at a breath she can colour vacuity with rainbow hues—crown the cliff with its castle—swing the drawbridge over the gulf profound—through a night of woods roll the river along on its moonlit reach—by fragmentary cinctures of mist and cloud, so girdle one mountain that it has the power of a hundred—giant rising above giant, far and wide, as if the mighty multitude, in magnificent and triumphant disorder, were indeed scaling heaven.

To speak more prosaically, every true and accepted lover of nature regards her with a painter's as well as a poet's eye. He breaks not down any scene rudely, and with "many an oft-repeated stroke;" but unconsciously and insensibly he transfigures into Wholes, and all day long, from morn till dewy eve, he is preceded, as he walks along, by landscapes retiring in their perfection, one and all of them the birth of his own inspired spirit. All non-essentials do of themselves drop off and disappear—all the characteristics of the scenery range themselves round a centre recognised by the inner sense that cannot err—and thus it is that "beauty pitches her tents before him"—that sublimity companions the pilgrim in the waste wilderness—and grandeur for his sake keeps slowly sailing or settling in the clouds. With such pictures has our Gallery been so thickly hung round for many years, that we have often thought there was not room for one other single frame; yet a vacant space has always been found for every new chef-d'œuvre that came to add itself to our collection—and the light from that cupola so distributes itself that it falls wherever it is wanted—wherever it is wanted not how tender the shadow! or how solemn the gloom!

Why, we are now in Glen-Etive—and sitting with our sketch-book at the mouth of our Tent. Our oft-repeated passionate prayer,

"O, for a lodge in some vast wilderness!"

has once more, after more than twenty years' absence, in this haunt of our fanciful youth and imaginative manhood, been granted, and Christopher, he thinks, could again bound along these cliffs like a deer. Ay, well-nigh quarter of a century has elapsed since we pitched this self-same snow-white Tent amid the purple heather, by the Linn of Dee. How fleetly goes winnowing on the air even the weariest waving of Time's care-laden wings! A few yellow weather-stains are on the canvass—but the pole is yet sound—or call it rather mast—for we have hoisted our topgallant,

"And lo! the silver cross, to Scotland dear,"

languidly lifts itself up, an ineffectual streamer, in the fitful morning breezes!

Bold son, or bright daughter of England! hast thou ever seen a Scottish Thrissle? What height are you—Captain of the Grenadier Guards? "Six feet four on my stocking-soles." Poo—a dwarf! Stand up with your back to that stalk. Tour head does not reach above his waist—he hangs high over you—"his radious croun of rubies." There's a Flower! dear to Lady Nature above all others, saving and excepting the Rose, and he is the Rose's husband—the Guardian Genii of the land consecrated the Union, and it has been blest. Eyeing the sun like an angry star that will not suffer eclipse either from light or shadow—but burns proudly—fiercely—in its native lustre—storm-brightened, and undishevelled by the tempest in which it swings. See! it stoops beneath the blast within reach of your hand. Grasp it ere it recoil aloft; and your hand will be as if it had crushed a sleeping wasp-swarm. But you cannot crush it—to do that would require a giant with an iron glove. Then let it alone to dally with the wind, and the sun, and the rain, and the snow—all alike dear to its spears and rubies; and as you look at the armed lustre, you will see a beautiful emblem and a stately of a people's warlike peace. The stalk indeed is slender, but it sways without danger of breaking in the blast; in the calm it reposes as gently as the gowan at its root. The softest leaf that enfolds in silk the sweetest flower of the garden, not greener than those that sting not if but tenderly you touch them, for they are green as the garments of the Fairies that dance by moonlight round the Symbol of old Scotland, and unchristened creatures though they the Fairies be, they pray heaven to let fall on the Awful Thrissle all the health and happiness that are in the wholesome stars.

The dawn is softly—slowly—stealing upon day; for the uprisen sun, though here the edge of his disc as yet be invisible, is diffusing abroad "the sweet hour of prime," and all the eastern region is tinged with crimson, faint and fine as that which sleeps within the wreaths of the sea-sounding shells. Hark! the eagle's earliest cry, yet in his eyrie. Another hour, and he and his giant mate will be seen spirally ascending the skies, in many a glorious gyration, tutoring their offspring to dally with the sunshine, that, when their plumes are stronger, they may dally with the storm. O, Forest of Dalness! how sweet is thy name! Hundreds of red-deer are now lying half-asleep among the fern and heather, with their antlers, could our eyes now behold them, motionless as the birch-tree branches with which they are blended in their lair. At the signal-belling of their king, a hero unconquered in a hundred fights, the whole herd rises at once like a grove, and with their stately heads lifted aloft on the weather-gleam, snuff the sweet scent of the morning air, far and wide surcharged with the honey-dew yet unmelting on the heather, and eye with the looks of liberty the glad daylight that mantles the Black Mount with a many-coloured garment. Ha! the first plunge of the salmon in the Rowan-tree Pool. There again he shoots into the air, white as silver, fresh run from the sea! For Loch-Etive, you must know, is one of the many million arms of Ocean, and bright now are rolling in the billows of the far-heaving tide. Music meet for such a morn and such mountains. Straight stretches the glen for leagues, and then, bending through the blue gloom, seems to wind away with one sweep into infinitude. The Great Glen of Scotland—Glen-More itself—is not grander. But the Great Glen of Scotland is yet a living forest. Glen-Etive has few woods or none—and the want of them is sublime. For centuries ago pines and oaks in the course of nature all perished; and they exist now but in tradition wavering on the tongues of old bards, or deep down in the mosses show their black trunks to the light, when the torrents join the river in spate, and the moor divulges its secrets as in an earthquake. Sweetly sung, thou small, brown, moorland bird, though thy song be but a twitter! And true to thy time—even to a balmy minute—art thou, with thy velvet tunic of black striped with yellow, as thou windest thy small but not sullen horn—by us called in our pride Humble-Bee—but not, methinks, so very humble, while booming high in air in oft-repeated circles, wondering at our Tent, and at the flag that now unfolds its gaudy length like a burnished serpent, as if the smell of some far-off darling heather-bed had touched thy finest instinct, away thou fliest straight southward to that rich flower-store, unerringly as the carrier-pigeon wafting to distant lands some love-message on its wings. Yet humble after all thou art; for all day long, making thy industry thy delight, thou returnest at shut of day, cheerful even in thy weariness, to thy ground-cell within the knoll, where as Fancy dreams the Fairies dwell—a Silent People in the Land of Peace.