"JONATH. SWIFT."
Mr. Fitzgerald was permitted to make a collation of this manuscript, and his collation he sent to the late John Forster. It is now in the Victoria and Albert Museum, South Kensington.[2]
[Footnote 2: I regret that I have been unable to trace the existence of this manuscript of Swift's "History." Mr. Fitzgerald himself has no recollection of having made the collation. "Forty-five years ago," he writes, "is a long time to look back to," and he cannot recall the fact.]
If this manuscript be what, on the face of it, it claims to be, then the question of authenticity is for ever settled. As we have no doubt on this point, the corrections and variations between this manuscript, as collated by Mr. Percy Fitzgerald and the Lucas version, have been noted in the present edition.
In 1752 Lord Orrery issued his "Remarks" on the life and character of Swift. The work obtained for him a certain notoriety, and brought down upon him some severe censure from the friends of Swift who were still alive. But, whatever may have been Orrery's private opinion of Swift, that should not invalidate any information as to fact of which he had the knowledge to speak. Writing in that book of the History, he says: "Dr. Swift left behind him few manuscripts. Not one of any consequence, except an account of the peace of Utrecht, which he called 'An History of the four last Years of Queen Anne.' The title of an history is too pompous for such a performance. In the historical style, it wants dignity and candour: but as a pamphlet it will appear the best defence of Lord Oxford's administration, and the clearest account of the Treaty of Utrecht, that has hitherto been written."[3]
[Footnote 3: Second edition, pp. 206-207.]
The most ardent and devoted of Swift's admirers could hardly find a juster criticism of the work. It should satisfy any unprejudiced reader of the printed History as we now have it, and to that extent emphasize the authenticity.
An interesting sidelight on Swift's History is thrown by Chesterfield in a letter he wrote to Dr. Chenevix, Bishop of Waterford, on May 23rd, 1758. We must believe that the noble lord wrote in good faith and certainly in the full belief that the work he was criticising was the work of Swift. Chesterfield's criticism points directly to Swift as the author, since his justification for Bolingbroke's story is to be found in the work as Lucas printed it in 1758. Speaking of the History, Chesterfield calls it "a party pamphlet, founded on the lie of the day, which, as lord Bolingbroke who had read it often assured me, was coined and delivered out to him, to write Examiners, and other political papers upon. That spirit remarkably runs through it. Macarteney, for instance, murdered duke Hamilton;[4] nothing is falser, for though Macarteney was very capable of the vilest actions, he was guiltless of that, as I myself can testify, who was at his trial on the king's bench, when he came over voluntarily to take it, in the late king's time. There did not appear even the least ground for a suspicion of it; nor did Hamilton, who appeared in court, pretend to tax him with it, which would have been in truth accusing himself of the utmost baseness, in letting the murderer of his friend go off from the field of battle, without either resentment, pursuit, or even accusation, till three days afterwards. This lie was invented to inflame the Scotch nation against the Whigs; as the other, that prince Eugene intended to murder lord Oxford, by employing a set of people called Mohocks, which society, by the way, never existed, was calculated to inflame the mob of London. Swift took those hints de la meilleure foi du monde, and thought them materials for history. So far he is blameless."[5]
[Footnote 4: See page 178 of this volume.]
[Footnote 5: "Chesterfield's Works," pp. 498-499.]