When, however, he discovers that they are firm in their determination to obtain their rights by force of arms, that they sincerely desire him as their chief, and that at least one-third of all the spirits are already numbered among the rebels, he throws off his mask, and quickly changes front:

"Then shall we venture all, our favor lost
To the oppressors of your lawful right."

He now again appears as the imperious prince of revolt, and at Belzebub's solicitation mounts the throne which the latter has meanwhile prepared for him. Belzebub enjoins the hosts to swear allegiance to Lucifer and to his morning-star, which oath is given with a will, and the act is at an end.

The chorus of Luciferians then extol their leader in an ode breathing defiance and blazing with the flame of rebellion. The clanging tread of a mailed warrior resounds in every line. The note of triumph rings out boldly; and with professions of fealty to their chief, and kindling with adoration for his morning-star, they march off the stage. This ode is a curious medley of antique metres, trochees, dactyls, and spondees, attuned to tumultuous emotion. Boldly regular in its classic irregularity, it echoes and re-echoes with the clamor of battle and the shout of revelry. It is a pæan keyed in the strident chord of Hell.

Scarcely have these fiercely jubilant tones died away, when the good angels follow with a plaintive ode of sorrow that is a striking antithesis to the passionate outburst of hate with which the air is yet reverberating.

Strophe and antistrophe proceed in the same mournful iambic measure, in verses sweetly musical with curious rimes, when suddenly in the epode they break into a livelier strain, and in tripping trochaics give voice to an entirely different mood—a fiery indignation mingled with a deep sense of the grave crisis that threatens the autonomy of Heaven.

Here, too, is a foreshadowing of the transcendent power that shall quell this treason. Nothing can be more original and artistic than these lyrics themselves. Nothing can be more harmonious than their blending with the action. Vondel is never more admirable than here.

THE SEETHING SEAS OF SEDITION.

In the fourth act the rebellion has become a conflagration:

"The whole of Heaven glows with the fierce blaze
Of tumult and of treachery."