"Both standing there in shining panoply,
Vying in splendors grand."

Lucifer himself holds the centre, "the point strategic" of his army, while Apollion behind him bears on high the lofty standard with its streaming morning-star.

Rafael, in his excitement, occasionally interrupts this graphic description with exclamations of wonder, and, as the story of the terrible conflict progresses, also with occasional cries of horror and of pity. Great art is shown in the introduction of these exclamatory pauses into the long account of the battle scene. It not only gives the narrator time to get breath, but voices the feelings of the listener, and intensifies his suspense.

Then follows a brilliant account of the Stadtholder. As the rebel chief is the protagonist, and as the seditious angels furnish the subject matter for the drama, the poet has artistically described them at great length. At last the two armies confront each other. We are now made to see how they

"Panted for strife and for destruction flamed."

Then follows the famous battle scene, which must be read in the poet's own thrilling words. Here is action in every line, a battle stroke in each word.

After the first onset, the celestial legions begin by circling wheels to soar aloft, whence, like a falcon, they shall soon precipitate themselves upon their enemies, who, having also risen, but with heavier sail, are likened to a flock of drowsing herons, thrown into sudden consternation by the sight of their dreaded foe.

Uriel now gives a striking picture of the grand perspective above—the celestial legions, high in the empyrean, arrayed like a shining triangle, the symbol of the Trinity; far beneath, the infernal phalanx, gleaming like a crescent on the turbaned brow of night, the sign of the Turk, whose ferocious hordes, even in Vondel's time, were yet thundering at the gate of Christendom. Thus each army hangs:

"Suspended like a silent cloud,
Full weighted 'gainst the balanced air."

Again the celestial triangle, with terrific force, crashes into the infernal half-moon, and flames of brimstone, red and blue, flash far out into the sky. Thunderbolt on thunderbolt, unchained, leap with angry roar into the surging horde, leaving havoc, ruin, and desolation in their lurid wake. The centre of the half-moon begins to break; and its pointed horns nearly meet together behind the resistless triangle.