Captain Tiago was therefore beloved by the priests, respected by the sacristans, fondled by the Chinese candle-makers and fire-cracker merchants, and thoroughly happy in the religion of the world. Some even attributed to him great influence in the ecclesiastical court.
That the Captain was at peace with the Government must not be doubted simply because such a thing seems impossible. Incapable of conceiving a new idea and content with the modus vivendi, he was always willing to obey the latest official recruit in any of the Government offices and even ready to give him at all times of the year such presents as hams, capons, turkeys, and Chinese fruit. He was the first to applaud any tax imposed by the Government, especially when he scented behind it a chance of securing the contract for its collection. He always kept orchestras on hand to serenade Government officials of all grades from governor to the lowest Government agent, on their birthdays, saint’s days, or when any occasion, such as the death of any of their relatives, or a birth in the family connection should afford a pretext. He even went so far as to dedicate laudatory verses to his royal patrons on these occasions, thus honoring the “suave and loving governor” or the “valiant and mighty alcalde.”
The Captain was a petty governor or gobernadorcillo of a rich colony of mestizos, in spite of the protests of many who considered him unfit for the position. He held the office for two years, but during this time he wore out ten frock coats, about the same number of high hats, and lost more than a half dozen of gobernadorcillo canes. His high hat and frock coat were always in evidence in the city hall, at the Government palace in Melacañan[1] and at the army headquarters, and they always appeared, too, in the cock-pit, in the market, in all processions, and in the Chinese shops. Dressed in this official costume with the tasseled cane, Captain Tiago was to be found everywhere, arranging, ordering, and putting in disorder, everything with which he had anything to do—and all with wonderful activity and with still more wonderful gravity.
Sacrilegious people called him a fool; poor people called him a hypocrite, a cruel man who gained a livelihood by making others miserable; while his inferiors looked upon him as a despot and a tyrant. And the women? Ah, the women! Slanderous rumors circulated in the wretched nipa houses, and it was claimed that often lamentations and sobs, mingled with the cries of a child, could be heard. More than one young girl was pointed out by the malicious finger of the neighbors, with the remark: “See what a different expression she wears, and how plainly she shows evidences of her shame.” But such things as these never robbed the Captain of any sleep; no young girl disturbed his rest.
Such was the Captain at that time. His past history was as follows: He was the only son of a very wealthy but avaricious sugar manufacturer of Malabon, who was unwilling to spend a cent in his education. For this reason young Santiago became the servant of a good Dominican, a very virtuous man, who tried to teach him all the valuable knowledge which he possessed. About the time when he was to have the happiness of studying logic, the death of his protector, followed by that of his father, put an end to his studies and from that time on he devoted himself to business. He married a beautiful girl from Santa Cruz, who increased his fortune and gave him a social position.
Doña Pia Alba was not content with buying sugar, coffee and indigo; she wished to sow and reap, so the young husband bought lands in San Diego. It was in this town that he made the acquaintance and friendship of Father Dámaso and of Don Rafael Ibarra, the richest capitalist of the town.
The lack of an heir for the first six years of his married life gave him a great opportunity to accumulate wealth, which perhaps was a censurable ambition. Although Doña Pia was handsome, robust and well formed, she made her pilgrimages in vain. By advice of the devotees of San Diego, she visited the Virgin of Cayasay in Taal; she gave alms, and she danced in the procession before the Virgin of Turumba in Pakil under the May sun, but it was all in vain. Finally, on the advice of Father Dámaso, she went to Obando, and there danced at the fiesta of San Pascual Bailon and asked for a son. It is well known that in Obando there is a trinity—Our Lady of Salambau, Santa Clara and San Pascual—which grants sons or daughters as required. Thanks to this wise triumvirate, Doña Pia became a mother, but like the fisherman in Macbeth, who ceased to sing after he found a rich treasure, Doña Pia lost her gayety, became very sad and was never seen to smile again. Every one, even to Captain Tiago, declared that it was a pure caprice. A puerperal fever put an end to her grief, leaving a beautiful daughter motherless. Father Dámaso baptized the child, and, as San Pascual had not given the son which had been asked for, the name of Maria Clara was given to it in honor of the Virgin of Salambau and of Santa Clara. The little girl grew up under the care of her aunt Isabel,—that good old lady with the manners of a friar whom we met before. The little girl lived the greater part of the time in San Diego on account of the healthful climate, and while there Father Dámaso paid her much attention.
Maria Clara did not have the small eyes of her father. Like her mother, her eyes were large, black and shaded by long lashes, brilliant and smiling when she was playing, but sad, deep and pensive at other times. When a child her wavy hair was almost blond. Her nose was well formed, neither too large nor too flat. Her mouth was small and beautifully shaped like that of her mother, and her cheeks were set with dimples. Her skin was like silk and as white as snow, but her fond parent found traces of the paternity of Captain Tiago in her small and well shaped ears.
Aunt Isabel attributed the child’s semi-European features to impressions made upon Doña Pia. She remembered having seen the mother a short time before the child was born, weeping before the image of San Antonio. Then, too, a cousin of Captain Tiago had the same features, the only difference being in the choice of the saints, by which the phenomenon was explained. With her it was either the Virgin or San Miguel. A cousin of Captain Tiago, a famous philosopher, who knew Amat[2] by heart, explained it all by attributing it to the effect of the planets.
Maria Clara, the idol of all, grew up surrounded by love and smiles. She won the favor of even the friars when she was dressed in white for some religious procession, her long, wavy hair interwoven with flowers, two silver or golden wings attached to the shoulders of her dress, and holding two white doves, tied with blue ribbons, in her hand. When she grew up, she was so full of childish mischief that Captain Tiago did nothing but bless the saints of Obando and advise everybody to buy handsome statues of that trinity.