No doubt was entertained by Padre Florentino that the Spaniard wanted was the jeweler Simoun, who had arrived mysteriously, himself carrying the jewel-chest, bleeding, morose, and exhausted. With the free and cordial Filipino hospitality, the priest had taken him in, without asking indiscreet questions, and as news of the events in Manila had not yet reached his ears he was unable to understand the situation clearly. The only conjecture that occurred to him was that the General, the jeweler’s friend and protector, being gone, probably his enemies, the victims of wrong and abuse, were now rising and calling for vengeance, and that the acting Governor was pursuing him to make him disgorge the wealth he had accumulated—hence his flight. But whence came his wounds? Had he tried to commit suicide? Were they the result of personal revenge? Or were they merely caused by an accident, as Simoun claimed? Had they been received in escaping from the force that was pursuing him?
This last conjecture was the one that seemed to have the greatest appearance of probability, being further strengthened by the telegram received and Simoun’s decided unwillingness from the start to be treated by the doctor from the capital. The jeweler submitted only to the ministrations of Don Tiburcio, and even to them with marked distrust. In this situation Padre Florentino was asking himself what [[354]]line of conduct he should pursue when the Civil Guard came to arrest Simoun. His condition would not permit his removal, much less a long journey—but the telegram said alive or dead.
Padre Florentine ceased playing and approached the window to gaze out at the sea, whose desolate surface was without a ship, without a sail—it gave him no suggestion. A solitary islet outlined in the distance spoke only of solitude and made the space more lonely. Infinity is at times despairingly mute.
The old man was trying to analyze the sad and ironical smile with which Simoun had received the news that he was to be arrested. What did that smile mean? And that other smile, still sadder and more ironical, with which he received the news that they would not come before eight at night? What did all this mystery signify? Why did Simoun refuse to hide? There came into his mind the celebrated saying of St. John Chrysostom when he was defending the eunuch Eutropius: “Never was a better time than this to say—Vanity of vanities and all is vanity!”
Yes, that Simoun, so rich, so powerful, so feared a week ago, and now more unfortunate than Eutropius, was seeking refuge, not at the altars of a church, but in the miserable house of a poor native priest, hidden in the forest, on the solitary seashore! Vanity of vanities and all is vanity! That man would within a few hours be a prisoner, dragged from the bed where he lay, without respect for his condition, without consideration for his wounds—dead or alive his enemies demanded him! How could he save him? Where could he find the moving accents of the bishop of Constantinople? What weight would his weak words have, the words of a native priest, whose own humiliation this same Simoun had in his better days seemed to applaud and encourage?
But Padre Florentine no longer recalled the indifferent reception that two months before the jeweler had accorded to him when he had tried to interest him in favor of Isagani, [[355]]then a prisoner on account of his imprudent chivalry; he forgot the activity Simoun had displayed in urging Paulita’s marriage, which had plunged Isagani into the fearful misanthropy that was worrying his uncle. He forgot all these things and thought only of the sick man’s plight and his own obligations as a host, until his senses reeled. Where must he hide him to avoid his falling into the clutches of the authorities? But the person chiefly concerned was not worrying, he was smiling.
While he was pondering over these things, the old man was approached by a servant who said that the sick man wished to speak with him, so he went into the next room, a clean and well-ventilated apartment with a floor of wide boards smoothed and polished, and simply furnished with big, heavy armchairs of ancient design, without varnish or paint. At one end there was a large kamagon bed with its four posts to support the canopy, and beside it a table covered with bottles, lint, and bandages. A praying-desk at the feet of a Christ and a scanty library led to the suspicion that it was the priest’s own bedroom, given up to his guest according to the Filipino custom of offering to the stranger the best table, the best room, and the best bed in the house. Upon seeing the windows opened wide to admit freely the healthful sea-breeze and the echoes of its eternal lament, no one in the Philippines would have said that a sick person was to be found there, since it is the custom to close all the windows and stop up all the cracks just as soon as any one catches a cold or gets an insignificant headache.
Padre Florentine looked toward the bed and was astonished to see that the sick man’s face had lost its tranquil and ironical expression. Hidden grief seemed to knit his brows, anxiety was depicted in his looks, his lips were curled in a smile of pain.
“Are you suffering, Señor Simoun?” asked the priest solicitously, going to his side.
“Some! But in a little while I shall cease to suffer,” he replied with a shake of his head. [[356]]