After the selection of vaudeville, which was loudly applauded, the Prince Villardo presented himself, challenging to mortal combat the Moros who held his father prisoner. The hero threatened to cut off all their heads at a single stroke and send them to the moon, but fortunately for the Moros, who were disposing themselves for the combat, a tumult arose. The orchestra suddenly ceased playing, threw their instruments away, and jumped up on the stage. The valiant Villardo, not expecting them and taking them for allies of the Moros, dropped his sword and shield, and started to run. The Moros, seeing that such a doughty Christian was fleeing, did not consider it improper to imitate him. Cries, groans, prayers, oaths were heard, while the people ran and pushed one another about. The lights were extinguished, blazing lamps were thrown into the air. “Tulisanes! Tulisanes!” cried some. “Fire, fire! Robbers!” shouted others. Women and children wept, benches and spectators were rolled together on the ground amid the general pandemonium.
The cause of all this uproar was two civil-guards, clubs in hand, chasing the musicians in order to break up the performance. The teniente-mayor, with the aid of the cuadrilleros, who were armed with old sabers, managed at length to arrest them, in spite of their resistance.
“Take them to the town hall!” cried Don Filipo. “Take care that they don’t get away!”
Ibarra had returned to look for Maria Clara. The frightened girls clung to him pale and trembling while Aunt Isabel recited the Latin litany.
When the people were somewhat calmed down from their fright and had learned the cause of the disturbance, they were beside themselves with indignation. Stones rained on the squad of cuadrilleros who were conducting the two offenders from the scene, and there were even those who proposed to set fire to the barracks of the Civil Guard so as to roast Doña Consolacion along with the alferez.
“That’s what they’re good for!” cried a woman, doubling up her fists and stretching out her arms. “To disturb the town! They don’t chase any but honest folks! Out yonder are the tulisanes and the gamblers. Let’s set fire to the barracks!”
One man was beating himself on the arm and begging for confession. Plaintive sounds issued from under the overturned benches—it was a poor musician. The stage was crowded with actors and spectators, all talking at the same time. There was Chananay dressed as Leonor in Il Trovatore, talking in the language of the markets to Ratia in the costume of a schoolmaster; Yeyeng, wrapped in a silk shawl, was clinging to the Prince Villardo; while Balbino and the Moros were exerting themselves to console the more or less injured musicians.[1] Several Spaniards went from group to group haranguing every one they met.
A large crowd was forming, whose intention Don Filipo seemed to be aware of, for he ran to stop them. “Don’t disturb the peace!” he cried. “Tomorrow we’ll ask for an accounting and we’ll get justice. I’ll answer for it that we get justice!”
“No!” was the reply of several. “They did the same thing in Kalamba,[2] the same promise was made, but the alcalde did nothing. We’ll take the law into our own hands! To the barracks!”
In vain the teniente-mayor pleaded with them. The crowd maintained its hostile attitude, so he looked about him for help and noticed Ibarra.