“Foolish child, what’s the matter with you?” the old lady was at last able to say as she wiped a tear from her faded eyes. Maria Clara felt ashamed and covered her eyes with her plump arm.
“Come on, get ready, come!” added the old aunt fondly. “While he is talking to your father about you. Come, don’t make him wait.” Like a child the maiden obediently followed her and they shut themselves up in her chamber.
Capitan Tiago and Ibarra were conversing in a lively manner when Aunt Isabel appeared half dragging her niece, who was looking in every direction except toward the persons in the room.
What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.
Soon the two lovers, fleeing from the dust raised by Aunt Isabel’s broom, found themselves on the azotea where they could commune in liberty among the little arbors. What did they tell each other in murmurs that you nod your heads, O little red cypress flowers? Tell it, you who have fragrance in your breath and color on your lips. And thou, O zephyr, who learnest rare harmonies in the stillness of the dark night amid the hidden depths of our virgin forests! Tell it, O sunbeams, brilliant manifestation upon earth of the Eternal, sole immaterial essence in a material world, you tell it, for I only know how to relate prosaic commonplaces. But since you seem unwilling to do so, I am going to try myself.
The sky was blue and a fresh breeze, not yet laden with the fragrance of roses, stirred the leaves and flowers of the vines; that is why the cypresses, the orchids, the dried fishes, and the Chinese lanterns were trembling. The splash of paddles in the muddy waters of the river and the rattle of carriages and carts passing over the Binondo bridge came up to them distinctly, although they did not hear what the old aunt murmured as she saw where they were: “That’s better, there you’ll be watched by the whole neighborhood.” At first they talked nonsense, giving utterance only to those sweet inanities which are so much like the boastings of the nations of Europe—pleasing and honey-sweet at home, but causing foreigners to laugh or frown.
She, like a sister of Cain, was of course jealous and asked her sweetheart, “Have you always thought of me? Have you never forgotten me on all your travels in the great cities among so many beautiful women?”
He, too, was a brother of Cain, and sought to evade such questions, making use of a little fiction. “Could I forget you?” he answered as he gazed enraptured into her dark eyes. “Could I be faithless to my oath, my sacred oath? Do you remember that stormy night when you saw me weeping alone by the side of my dead mother and, drawing near to me, you put your hand on my shoulder, that hand which for so long a time you had not allowed me to touch, saying to me, ‘You have lost your mother while I never had one,’ and you wept with me? You loved her and she looked upon you as a daughter. Outside it rained and the lightning flashed, but within I seemed to hear music and to see a smile on the pallid face of the dead. Oh, that my parents were alive and might behold you now! I then caught your hand along with the hand of my mother and swore to love you and to make you happy, whatever fortune Heaven might have in store for me; and that oath, which has never weighed upon me as a burden, I now renew!
“Could I forget you? The thought of you has ever been with me, strengthening me amid the dangers of travel, and has been a comfort to my soul’s loneliness in foreign lands. The thoughts of you have neutralized the lotus-effect of Europe, which erases from the memories of so many of our countrymen the hopes and misfortunes of our fatherland. In dreams I saw you standing on the shore at Manila, gazing at the far horizon wrapped in the warm light of the early dawn. I heard the slow, sad song that awoke in me sleeping affections and called back to the memory of my heart the first years of our childhood, our joys, our pleasures, and all that happy past which you gave life to while you were in our town. It seemed to me that you were the fairy, the spirit, the poetic incarnation of my fatherland, beautiful, unaffected, lovable, frank, a true daughter of the Philippines, that beautiful land which unites with the imposing virtues of the mother country, Spain, the admirable qualities of a young people, as you unite in your being all that is beautiful and lovely, the inheritance of both races” so indeed the love of you and that of my fatherland have become fused into one.
“Could I forget you? Many times have I thought that I heard the sound of your piano and the accents of your voice. When in Germany, as I wandered at twilight in the woods, peopled with the fantastic creations of its poets and the mysterious legends of past generations, always I called upon your name, imagining that I saw you in the mists that rose from the depths of the valley, or I fancied that I heard your voice in the rustling of the leaves. When from afar I heard the songs of the peasants as they returned from their labors, it seemed to me that their tones harmonized with my inner voices, that they were singing for you, and thus they lent reality to my illusions and dreams. At times I became lost among the mountain paths and while the night descended slowly, as it does there, I would find myself still wandering, seeking my way among the pines and beeches and oaks. Then when some scattering rays of moonlight slipped down into the clear spaces left in the dense foliage, I seemed to see you in the heart of the forest as a dim, loving shade wavering about between the spots of light and shadow. If perhaps the nightingale poured forth his varied trills, I fancied it was because he saw you and was inspired by you.