"In wit a man—simplicity a child;"

and who though he could not stab and sneer, and create new worlds more laughable than even this, like Swift, nor declaim and sap faith, like Bolingbroke, nor rhyme and glitter like Pope, nor discourse on medals and write comical "Pilgrims' Progresses" like Arbuthnot, nor pour out floods of learning like Prior in "Alma," could do things which they in their turn never equalled, (even as in Emerson's poem, "The Mountain and the Squirrel," the latter wisely remarks to the former—

"I cannot carry forests on my back,
But neither can you crack a nut,")

could give a fabulous excellence to the construction and management of the "Fable;" extract interest from street crossings and scavengers, and let fly into the literary atmosphere an immortal Opera, the "Beggars'," which, though feathered by the moultings of the very basest night-birds, has pursued a career of triumph ever since.

To recur to the life of our poet. Losing his situation under the Duchess of Monmouth, he was patronised by the Earls of Oxford and Bolingbroke, and through them was appointed secretary to the Earl of Clarendon, who was going to Hanover as ambassador to that court. He was at this time so poor that, in order to equip himself with necessaries, such as shoes, stockings, and linen for the journey, he had to receive an advance of £100 from the treasury at Hanover. The Electoral Princess, afterwards Queen Caroline—wife of George II.—took some notice of Gay, and asked for a volume of his "Poems," when, as Arbuthnot remarks, "like a true poet," he was compelled to own that he had no copy in his possession. We suspect few poets, whether true or pretended, in our age would in this point resemble Gay.

Lord Clarendon's embassy lasted precisely fifteen days—Queen Anne having died in the meantime—and the Tory Government being consequently dismissed in disgrace. Poor Gay, who had offended the Whigs by dedicating his "Shepherd's Week" to Bolingbroke, came home in a worse plight than before. He had left England in a state of poverty—he returned to it in a state of proscription—although he perhaps felt comforted by an epistle of welcome from Pope, which did not, it is likely, affect him as it does us with the notion that its tricksy author was laughing in his sleeve.

Arbuthnot, who was a wiser friend, advised Gay to write an "Epistle on the Arrival of the Princess of Wales," which he did, and she and her lord were so far conciliated as to attend a play he now produced, entitled "What d'ye call it?"—a kind of hybrid between a farce and a tragedy—which, by the well-managed equivoque of its purpose, hit the house between wind and water; and not knowing "what" properly to "call it," and whether it should be applauded or damned, they gave the benefit of their doubts to the author. To its success, doubtless too, the presence and praise of the Prince and the Princess contributed. Gay now tried for a while the trade of a courtier—sooth to say, with little success. He was for this at once too sanguine and too simple. Pope said, with his usual civil sneer, in a letter to Swift, "the Doctor (Arbuthnot) goes to cards—Gay to court; the one loses money, the other time." It added to his chagrin, that having, in conjunction with Pope and Arbuthnot, produced, in 1717, a comedy, entitled "Three Months after Marriage," to satirise Dr Woodward, then famous as a fossilist; the piece, being personal and indecent, was not only hissed but hooted off the stage. The chief offence was taken at the introduction of a mummy and a crocodile on the stage. To divert his grief, he, at the suggestion of Lord Burlington, who paid his expenses, rambled into Devonshire, went next with Pultney to Aix, in France, and when afterwards on a visit to Lord Harcourt's seat, witnessed the incident of the two country lovers killed by lightning in each other's arms, to which Pope alludes in one of his letters, and Goldsmith in his "Vicar of Wakefield."

In 1720 he published his "Poems" by subscription. The general kindness felt for Gay, notwithstanding his faults and feebleness, now found a vent. The Prince and Princess of Wales not only subscribed, but gave him a liberal present, and some of the nobility, who regarded him as an agreeable plaything and lapdog of genius, took a number of copies. The result was that he gained a thousand pounds. He asked the advice of his friends how to dispose of this sum, and, as usual, took his own. Lewis, steward to Lord Oxford, advised him to entrust it to the funds, and live on the interest; Arbuthnot, to live upon the principal; Pope and Swift, to buy an annuity. Gay preferred to sink it in the South-Sea Bubble, then in all its glory. At first he imagined himself master of £20,000, and when advised to sell out and purchase as much as his wise friend Elijah Fenton said would "procure him a clean shirt and a shoulder of mutton every day," rejected the counsel, and in fine lost every farthing, and nearly lost next, through vexation, either his life or his reason.

Pope, who occasionally laughed at him, was now very kind, and partly through his assiduous attention, Gay recovered his health, spirits, and the use of his pen. He wrote a tragedy called the "Captives," and was invited to read it before the Princess of Wales. The sight of her and her assembled ladies frightened him, and in advancing he stumbled over a stool and overthrew a heavy japan screen. How he fared afterwards in the reading we are not informed; but as we are told that the Princess started and her ladies screamed, we fear it had been poorly. On this story Hawkesworth has founded an amusing story in the "Adventurer," and it was also, we think, in the eye of the author of the humorous tale, entitled "The Bashful Man." This unlucky play was afterwards acted seven nights, the author's third night being under the special patronage of her Royal Highness.

At the request of the same illustrious lady, he, in 1726, undertook to write a volume of "Fables" for the young Duke of Cumberland, afterwards of Culloden notoriety, and when at last, in 1727, the Prince became George II., and the Princess Queen Caroline, Gay's hopes of promotion boiled as high as his hopes of gain had during the South-Sea scheme. But here, too, he was deceived; and having only received the paltry appointment (as he deemed it, though the salary was £200,) of gentleman-usher to the Princess Louisa, a girl of two years old, he thought himself insulted. He first sent a message to the Queen that he was too old for the place,—an excuse which he made for himself, but which, being only thirty-nine, he would not have borne any other to make for him. He next condescended to court Mrs Howard, the mistress of George II., and that "good Howard" commemorated in the "Heart of Mid-Lothian;" but this too was in vain, and then he retired from the attempt, growling out probably (if we can imagine him in fable, not as Queen Caroline called him the "Hare," but a Bear) the words, "Put not your faith in princes." He was the more excusable, as, two years before, Sir Robert Walpole had, for his surmised Toryism, turned him out of the office of "Commissioner of the Lottery," which had brought him in £150 a-year.