. His Figures were wonderfully laboured; If he drew the Portraiture of a man, he did not omit a single Hair in his Face; if the Figure of a Ship, there was not a Rope among the Tackle that escaped him. He had likewise hung a great Part of the Wall with Night-pieces, that seemed to shew themselves by the Candles which were lighted up in several Parts of them; and were so inflamed by the Sun-shine which accidentally fell upon them, that at first sight I could scarce forbear crying out,
Fire
.
The five foregoing Artists were the most considerable on this Side the Gallery; there were indeed several others whom I had not time to look into. One of them, however, I could not forbear observing, who was very busie in retouching the finest Pieces, tho' he produced no Originals of his own. His Pencil aggravated every Feature that was before over-charged, loaded every Defect, and poisoned every Colour it touched. Though this workman did so much Mischief on the Side of the Living, he never turned his Eye towards that of the Dead. His Name was
Envy
.
Having taken a cursory View of one Side of the Gallery, I turned my self to that which was filled by the Works of those great Masters that were dead; when immediately I fancied my self standing before a Multitude of Spectators, and thousands of Eyes looking upon me at once; for all before me appeared so like Men and Women, that I almost forgot they were Pictures.
Raphael's
Figures stood in one Row,
Titian's