says that in a MS. of the beginning of the last century, this tune is called 'Old Roger of Coverlay for evermore. A Lancashire Hornpipe.' In the

Dancing Master

of 1696. it is called ' Roger of Coverly.' Mr. Chappell quotes also, in illustration of the familiar knowledge of this tune and its name in Addison's time, from 'the History of Robert Powell, the Puppet Showman (1715),' that

'upon the Preludis being ended, each party fell to bawling and calling for particular tunes. The hobnail'd fellows, whose breeches and lungs seem'd to be of the same leather, cried out for Cheshire Rounds, Roger of Coverly,' &c.

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[Footnote 2:]

I required

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[Footnote 3:]

that