Fiddle Faddle
is perfectly accomplished in this Sort of Eloquence; she launches out into Descriptions of Christenings, runs Divisions upon an Headdress, knows every Dish of Meat that is served up in her Neighbourhood, and entertains her Company a whole Afternoon together with the Wit of her little Boy, before he is able to speak.
The Coquet may be looked upon as a fourth Kind of Female Orator. To give her self the larger Field for Discourse, she hates and loves in the same Breath, talks to her Lap-dog or Parrot, is uneasy in all kinds of Weather, and in every Part of the Room: She has false Quarrels and feigned Obligations to all the Men of her Acquaintance; sighs when she is not sad, and Laughs when she is not Merry. The Coquet is in particular a great Mistress of that Part of Oratory which is called Action, and indeed seems to speak for no other Purpose, but as it gives her an Opportunity of stirring a Limb, or varying a Feature, of glancing her Eyes, or playing with her Fan.
As for News-mongers, Politicians, Mimicks, Story-Tellers, with other Characters of that nature, which give Birth to Loquacity, they are as commonly found among the Men as the Women; for which Reason I shall pass them over in Silence.
I have often been puzzled to assign a Cause why Women should have this Talent of a ready Utterance in so much greater Perfection than Men. I have sometimes fancied that they have not a retentive Power, or the Faculty of suppressing their Thoughts, as Men have, but that they are necessitated to speak every Thing they think,
if so, it would perhaps furnish a very strong Argument to the
Cartesians
, for the supporting of their
Doctrine