In short, the Poet never mentions anything of this Battel but in such Images of Greatness and Terror as are suitable to the Subject. Among several others I cannot forbear quoting that Passage, where the Power, who is described as presiding over the Chaos, speaks in the Third Book.
Thus Satan; and him thus the Anarch old
With faultring Speech, and Visage incompos'd,
Answer'd, I know thee, Stranger, who thou art,
That mighty leading Angel, who of late
Made Head against Heaven's King, tho' overthrown.
I saw and heard, for such a numerous Host
Fled not in silence through the frighted Deep
With Ruin upon Ruin, Rout on Rout,
Confusion worse confounded; and Heav'n's Gates
Pour'd out by Millions her victorious Bands
Pursuing—
It requir'd great Pregnancy of Invention, and Strength of Imagination, to fill this Battel with such Circumstances as should raise and astonish the Mind of the Reader; and at the same time an Exactness of Judgment, to avoid every thing that might appear light or trivial. Those who look into
Homer
, are surprized to find his Battels still rising one above another, and improving in Horrour, to the Conclusion of the
Iliad
.
Milton's
Fight of Angels is wrought up with the same Beauty. It is usher'd in with such Signs of Wrath as are suitable to Omnipotence incensed. The first Engagement is carry'd on under a Cope of Fire, occasion'd by the Flights of innumerable burning Darts and Arrows, which are discharged from either Host. The second Onset is still more terrible, as it is filled with those artificial Thunders, which seem to make the Victory doubtful, and produce a kind of Consternation even in the good Angels. This is follow'd by the tearing up of Mountains and Promontories; till, in the last place, the
Messiah