Camilla
at Drury Lane, produced under the superintendence of Nicolino Haym, Addison's
Rosamond
was produced, with music by Clayton and Mrs. Tofts in the part of Queen Eleanor. The music killed the piece on the third night of performance. The coming of Handel and his opera of
Rinaldo
set Mr. Clayton aside, but the friendship of Steele and Addison abided with him, and Steele seems to have had a share in his enterprises at York Buildings. Of his colleagues who join in the signing of this letter, Nicola Francesco Haym was by birth a Roman, and resident in London as a professor of music. He published two good operas of sonatas for two violins and a bass, and joined Clayton and Dieupart in the service of the opera, until Handel's success superseded them. Haym was also a man of letters, who published two quartos upon Medals, a notice of rare Italian Books, an edition of Tasso's Gerusalemme, and two tragedies of his own. He wrote a
History of Music
in Italian, and issued proposals for its publication in English, but had no success. Finally he turned picture collector, and was employed in that quality by Dr. Mead and Sir Robert Walpole.
Charles Dieupart, a Frenchman, was a fine performer on the violin and harpsichord. At the representation of
Arsinoe