Comparisons a longue queue
, Long-tail'd Comparisons
. I shall conclude this Paper on the First Book of Milton with the Answer which Monsieur Boileau makes to Perrault on this Occasion;
'Comparisons, says he, in Odes and Epic Poems, are not introduced only to illustrate and embellish the Discourse, but to amuse and relax the Mind of the Reader, by frequently disengaging him from too painful an Attention to the Principal Subject, and by leading him into other agreeable Images. Homer, says he, excelled in this Particular, whose Comparisons abound with such Images of Nature as are proper to relieve and diversifie his Subjects. He continually instructs the Reader, and makes him take notice, even in Objects which are every Day before our Eyes, of such Circumstances as we should not otherwise have observed.'
To this he adds, as a Maxim universally acknowledged,
'That it is not necessary in Poetry for the Points of the Comparison to correspond with one another exactly, but that a general Resemblance is sufficient, and that too much Nicety in this Particular favours of the Rhetorician and Epigrammatist.'
In short, if we look into the Conduct of Homer, Virgil and Milton, as the great Fable is the Soul of each Poem, so to give their Works an agreeable Variety, their Episodes are so many short Fables, and their Similes so many short Episodes; to which you may add, if you please, that their Metaphors are so many short Similes. If the Reader considers the Comparisons in the first Book of Milton, of the Sun in an Eclipse, of the Sleeping Leviathan, of the Bees swarming about their Hive, of the Fairy Dance, in the view wherein I have here placed them, he will easily discover the great Beauties that are in each of those Passages.
L.