Hudibras, Part I., Canto 3, II. 310-11.
| [No. 312] | Wednesday, February 27, 1712 | Steele |
Quod huic Officium, quæ laus, quod Decus erit tanti, quod adipisci cum colore Corporis velit, qui dolorem summum malum sibi persuaserit? Quam porro quis ignominiam, quam turpitudinem non pertulerit, ut effugiat dolorem, si id summum malum esse decrevit?
Tull. de Dolore tolerando.
It is a very melancholy Reflection, that Men are usually so weak, that it is absolutely necessary for them to know Sorrow and Pain to be in their right Senses. Prosperous People (for Happy there are none) are hurried away with a fond Sense of their present Condition, and thoughtless of the Mutability of Fortune: Fortune is a Term which we must use in such Discourses as these, for what is wrought by the unseen Hand of the Disposer of all Things. But methinks the Disposition of a Mind which is truly great, is that which makes Misfortunes and Sorrows little when they befall our selves, great and lamentable when they befall other Men. The most unpardonable Malefactor in the World going to his Death and bearing it with Composure, would win the Pity of those who should behold him; and this not because his Calamity is deplorable, but because he seems himself not to deplore it: We suffer for him who is less sensible of his own Misery, and are inclined to despise him who sinks under the Weight of his Distresses. On the other hand, without any Touch of Envy, a temperate and well-govern'd Mind looks down on such as are exalted with Success, with a certain Shame for the Imbecility of human Nature, that can so far forget how liable it is to Calamity, as to grow giddy with only the Suspence of Sorrow, which is the Portion of all Men. He therefore who turns his Face from the unhappy Man, who will not look again when his Eye is cast upon modest Sorrow, who shuns Affliction like a Contagion, does but pamper himself up for a Sacrifice, and contract in himself a greater Aptitude to Misery by attempting to escape it. A Gentleman where I happened to be last Night, fell into a Discourse which I thought shewed a good Discerning in him: He took Notice that whenever Men have looked into their Heart for the Idea of true Excellency in human Nature, they have found it to consist in Suffering after a right Manner and with a good Grace. Heroes are always drawn bearing Sorrows, struggling with Adversities, undergoing all kinds of Hardships, and having in the Service of Mankind a kind of Appetite to Difficulties and Dangers. The Gentleman went on to observe, that it is from this secret Sense of the high Merit which there is in Patience under Calamities, that the Writers of Romances, when they attempt to furnish out Characters of the highest Excellence, ransack Nature for things terrible; they raise a new Creation of Monsters, Dragons, and Giants: Where the Danger ends, the Hero ceases; when he won an Empire, or gained his Mistress, the rest of his Story is not worth relating. My Friend carried his Discourse so far as to say, that it was for higher Beings than Men to join Happiness and Greatness in the same Idea; but that in our Condition we have no Conception of superlative Excellence, or Heroism, but as it is surrounded with a Shade of Distress.
It is certainly the proper Education we should give our selves, to be prepared for the ill Events and Accidents we are to meet with in a Life sentenced to be a Scene of Sorrow: But instead of this Expectation, we soften our selves with Prospects of constant Delight, and destroy in our Minds the Seeds of Fortitude and Virtue, which should support us in Hours of Anguish. The constant Pursuit of Pleasure has in it something insolent and improper for our Being. There is a pretty sober Liveliness in the Ode of
Horace