It requir'd great Pregnancy of Invention, and Strength of Imagination, to fill this Battel with such Circumstances as should raise and astonish the Mind of the Reader; and at the same time an Exactness of Judgment, to avoid every thing that might appear light or trivial. Those who look into
Homer
, are surprized to find his Battels still rising one above another, and improving in Horrour, to the Conclusion of the
Iliad
.
Milton's
Fight of Angels is wrought up with the same Beauty. It is usher'd in with such Signs of Wrath as are suitable to Omnipotence incensed. The first Engagement is carry'd on under a Cope of Fire, occasion'd by the Flights of innumerable burning Darts and Arrows, which are discharged from either Host. The second Onset is still more terrible, as it is filled with those artificial Thunders, which seem to make the Victory doubtful, and produce a kind of Consternation even in the good Angels. This is follow'd by the tearing up of Mountains and Promontories; till, in the last place, the
Messiah
comes forth in the Fulness of Majesty and Terror, The Pomp of his Appearance amidst the Roarings of his Thunders, the Flashes of his Lightnings, and the Noise of his Chariot-Wheels, is described with the utmost Flights of Human Imagination.
There is nothing in the first and last Day's Engagement which does not appear natural, and agreeable enough to the Ideas most Readers would conceive of a Fight between two Armies of Angels.