the Ideas that arise from Words, with the Ideas that arise from the Objects themselves; and why this Operation of the Mind is attended with so much Pleasure, we have before considered. For this Reason therefore, the Description of a Dunghill is pleasing to the Imagination, if the Image be represented to our Minds by suitable Expressions; tho' perhaps, this may be more properly called the Pleasure of the Understanding than of the Fancy, because we are not so much delighted with the Image that is contained in the Description, as with the Aptness of the Description to excite the Image.

But if the Description of what is Little, Common, or Deformed, be acceptable to the Imagination, the Description of what is Great, Surprising or Beautiful, is much more so; because here we are not only delighted with

comparing

the Representation with the Original, but are highly pleased with the Original itself. Most Readers, I believe, are more charmed with

Milton's

Description of Paradise, than of Hell; they are both, perhaps, equally perfect in their Kind, but in the one the Brimstone and Sulphur are not so refreshing to the Imagination, as the Beds of Flowers and the Wilderness of Sweets in the other.

There is yet another Circumstance which recommends a Description more than all the rest, and that is if it represents to us such Objects as are apt to raise a secret Ferment in the Mind of the Reader, and to work, with Violence, upon his Passions. For, in this Case, we are at once warmed and enlightened, so that the Pleasure becomes more Universal, and is several ways qualified to entertain us. Thus in Painting, it is pleasant to look on the Picture of any Face, where the Resemblance is hit, but the Pleasure increases, if it be the Picture of a Face that is Beautiful, and is still greater, if the Beauty be softened with an Air of Melancholy or Sorrow. The two leading Passions which the more serious Parts of Poetry endeavour to stir up in us, are Terror and Pity. And here, by the way, one would wonder how it comes to pass, that such Passions as are very unpleasant at all other times, are very agreeable when excited by proper Descriptions. It is not strange, that we should take Delight in such Passions as are apt to produce Hope, Joy, Admiration, Love, or the like Emotions in us, because they never rise in the Mind without an inward Pleasure which attends them. But how comes it to pass,

[that]

we should take delight in being terrified or dejected by a Description, when we find so much Uneasiness in the Fear or Grief

which