Roscius
himself in his Masque. No Part of the Body, besides the Face, is capable of as many Changes as there are different Emotions in the Mind, and of expressing them all by those Changes. Nor is this to be done without the Freedom of the Eyes; therefore
Theophrastus
call'd one, who barely rehearsed his Speech with his Eyes fix'd, an
absent Actor
.
As the Countenance admits of so great Variety, it requires also great Judgment to govern it. Not that the Form of the Face is to be shifted on every Occasion, lest it turn to Farce and Buffoonery; but it is certain that the Eyes have a wonderful Power of marking the Emotions of the Mind, sometimes by a stedfast Look, sometimes by a careless one, now by a sudden Regard, then by a joyful Sparkling, as the Sense of the Words is diversified: for Action is, as it were, the Speech of the Features and Limbs, and must therefore conform itself always to the Sentiments of the Soul. And it may be observed, that in all which relates to the Gesture, there is a wonderful Force implanted by Nature, since the Vulgar, the Unskilful, and even the most Barbarous are chiefly affected by this. None are moved by the Sound of Words, but those who understand the Language; and the Sense of many things is lost upon Men of a dull Apprehension: but Action is a kind of Universal Tongue; all Men are subject to the same Passions, and consequently know the same Marks of them in others, by which they themselves express them.
Perhaps some of my Readers may be of Opinion, that the Hints I have here made use of, out of
Cicero
, are somewhat too refined for the Players on our Theatre: In answer to which, I venture to lay it down as a Maxim, that without Good Sense no one can be a good Player, and that he is very unfit to personate the Dignity of a