English
Theatre, is one of the most monstrous Inventions that ever entered into a Poet's Thoughts. An Author might as well think of weaving the Adventures of
Æneas
and
Hudibras
into one Poem, as of writing such a motly Piece of Mirth and Sorrow. But the Absurdity of these Performances is so very visible, that I shall not insist upon it.
The same Objections which are made to Tragi-Comedy, may in some Measure be applied to all Tragedies that have a double Plot in them; which are likewise more frequent upon the
English
Stage, than upon any other: For though the Grief of the Audience, in such Performances, be not changed into another Passion, as in Tragi-Comedies; it is diverted upon another Object, which weakens their Concern for the principal Action, and breaks the Tide of Sorrow, by throwing it into different Channels. This Inconvenience, however, may in a great Measure be cured, if not wholly removed, by the skilful Choice of an Under-Plot, which may bear such a near Relation to the principal Design, as to contribute towards the Completion of it, and be concluded by the same Catastrophe.
There is also another Particular, which may be reckoned among the Blemishes, or rather the false Beauties, of our