Personalia
A London correspondent of the Philadelphia Press furnishes some interesting notes of a talk with Mr. du Maurier. Concerning literary practice, the artist-novelist said that "Peter Ibbetson" was absolutely the first story he ever wrote. "And yet," he added, "I have in one sense been writing stories all my life. Every one of my pictures, for example, has had under it a story condensed to the smallest possible space. The necessity of condensing my description and dialogue has been of great benefit to me in writing my two novels." As for "Trilby," Mr. du Maurier said that his earliest conception of the story was quite different from the one he finally worked out. "I had first thought of Trilby as a girl of very low birth—a servant, or something like that. Then it occurred to me that it would be much better to make her interesting—to create a person who would be liked by readers. As a good many people seem to be fond of 'Trilby' now, I am very glad, indeed, that I made the change." And he declared further that the character of Trilby was not a study from life, but wholly imaginary. It was Henry James who suggested to the artist that he should write novels.
"It was one day while we were walking together on Hampstead Heath. We were talking about storywriting, and I said to him:—'If I were a writer, it seems to me that I should have no difficulty about plots. I have in my head now plots for fifty stories. I'm always working them out for my own amusement.' 'Well,' he said, 'it seems to me that you are a very fortunate person; I wish you'd tell me one of those plots.' Then I told him the story of 'Trilby.'" "Yes, he praised it very generously. 'Well,' I said, 'you may have the idea and work it out to your own satisfaction.' But he refused to accept it. 'You must write it yourself,' he said: 'I'm sure you can do it, if you'll only try.' But I insisted that I couldn't, and so we left the matter. But that night after going home it occurred to me that it would be worth while trying to write, after all. So on the impulse I sat down and began to work. It was not on 'Trilby,' however, but on 'Peter Ibbetson.' I kept at it for a time, but after doing several chapters I became utterly discouraged, and said to myself one evening:—'Oh, I can't do anything with this. It's a mad story. It's utter rubbish.' Then I took up the sheets and was just about to throw them into the fire when I thought I'd keep them for another day and think the thing over. That night in bed, while I was worrying about the impossibility of going on with the tale, the solution of my difficulty suddenly occurred to me. 'I'll make the hero mad,' I cried to myself, 'that will put everything right.' So the next day I wrote the introduction, explaining Peter's madness, and after that I went on with the work to the end without any more trouble."
"Trilby's" American publishers have sent out the following note:—"A letter from Mr. du Maurier to the late James R. Osgood is given herewith. Possibly the hint it contains as to the secret of an exquisite literary style will interest the greater number of readers; or perhaps his saying (in 1890) that he has 'several good ideas,' which would seem to be an answer to those who have maintained that 'Trilby' was written many years ago. * * *
'My Dear Osgood:—Of course I remembered my promise, and as soon as my book—"Peter Ibbetson"—was finished and typewritten, I wrote to you—last week, as it happens—at 50 Fleet Street, but behold! you were in America; so I sent them the copy, and I believe it starts by to-day's mail for Harper in New York. I don't know how it got into the papers that I was coming out in this new line, but I have already offers to come to an arrangement. I have no notion whether it is suited to a periodical or not—you will see; probably not,—but if it is I want to be well paid for it; first [illegible], as far as my first book is concerned, whatever its merits; secondly, because the only people to whom I have told the story (H. James, Canon Ainger, poor Allingham and a few others) thought so well of it—or said so—as an idea; and I have taken great pains in the carrying out thereof. If Harper's doesn't see its way to it, I shall offer it elsewhere; and after that, I shall put it in the hands of an agent. And if I don't get what I think I ought to, I shall keep it and write another, as I have several good ideas, and writing this has taught me a lot. All of which sounds very cheeky and grand; but I am in no hurry to come before the public as a novelist before I'm ripe, and to ripen myself duly I am actually rewriting it in French, and you've no idea what a lesson that is! * * *
'Yours ever, G. du Maurier.
'15 Bayswater Terrace, London, April 18, 1890.'"
It is said that when the Messrs. Harper were negotiating with Mr. du Maurier for "Trilby," he declined their offer of a royalty on the sales of the book and decided in favor of a "lump sum." We do not know how large this sum was, but we are pretty sure that it was not so much as he would have made by the royalty plan. That would have earned at least $30,000 for him on a sale of about 100,000 copies to 31 Dec., 1894. The Messrs. Harper have, however, done a more than generous thing by him: they have informed him that they will pay him a royalty, and a good big one, too, on all sales after 1 Jan., 1895, on both "Trilby" and "Peter Ibbetson." The 600 copies of the édition de luxe of "Trilby," at $10 a copy, were sold outright to the Syndicate Trading Co.
Our London correspondent, Mr. Arthur Waugh, wrote to us on 16 April, 1895:—"The English reading public is to have its illustrated 'Trilby' in one volume in June. Hitherto the three-volume edition has alone been in circulation, and that without the illustrations. There are to be no sketches in all, and arrangements are also in progress for a large-paper edition of 250 copies, with six facsimile reproductions of original drawings, unbound." Advance orders were received for 15,000 copies of the six-shilling edition.