The preparations were far advanced by the time the station party arrived at the camp. The gins, to whom fell all labour of a manual sort, were lighting the fires, while the bucks were busy "dressing" for their parts.
The girls remained in the clearing talking to some of the old gins, while the males proceeded to the outskirts of the forest, where the work of adorning went on apace.
For this no pains were spared. The naked bodies of the dancers were treated by the tribe experts, and some fearfully and wonderfully startling effects were produced. Take His Majesty, Tarpot, as a sample. The ordinary court dress of the King consisted of a tattered police uniform, together with a crescent-shaped brass plate that adorned his breast, where it hung, suspended by a chain from his neck. The plate—presented to him on one occasion as a joke—bore upon it the inscription—
TARPOT, KING OF BULLAROI
But to-night Merri-dia-o is resplendent in a warrior's full rig. A hole bored through the cartilage of his nose peak displays the bone of an eagle's wing, about four inches long, the insignia of his maturity and dignity—his knighthood's spurs, so to speak.
Behold, then, athwart his nose, the polished bone, gleaming like ivory against the ebony background! His grey hair is trussed up, forming a big top-knot, and is adorned with the sulphur-hued crest of the white cockatoo, also with turkey-tail feathers. Wound several times round his somewhat corpulent body is a belt of human hair. This serves to hold the boomerang and other short weapons. A dingo-tail skin, split up the middle to the brush, and bound round the forehead with the brush erect and plume-like, gives grace and height to the stature. But the body and limb painting is the principal part. Each tribe has its devices. Pigments are largely used. The greater the number of colours the more fantastic is the effect.
When the boys strode up to the "dressing-room" where the tribe artiste were engaged, they found that most of the men had completed their adornments and were strutting about casting admiring or envious glances at one another. Merri-dia-o, however, was still in the hands of the dressers, and his markings were a triumph. Being a large-framed and portly fellow, he showed the designs to the best advantage. The colour scheme was brilliant, if nothing else. On his massive chest, which was whitewashed for a background, were drawn an emu and a kangaroo. The bird's plumage was bright blue, while the marsupial was as glaring as red ochre could make it. These cartoons covered breast and belly, the limbs being like animated barber's poles in red and white. On his back, upon a white ground, was coiled an enormous carpet snake, with erect head and protruding tongue. When seen in the corrobberie, armed with spears, shield, and boomerangs, this fantastic figure was without peer among the warrior-clowns, the whole effect being an extravaganza at once whimsical and wild.
By the time these preparations were ended the great central fire was blazing furiously, fed as it constantly was from a dry tinder stack.
The "orchestra," to the number of six, sat in a cluster behind the fire and beat time to the primitive measures. The musicians for the most part were old women, who were well-practised performers. Their instruments were as primitive as the songs they accompanied, consisting generally of a tightly folded opossum rug or a shield. These were operated upon by the palms of the hands or by sticks; a vigorous slapping of the thighs also gave variety to the combination. At any rate, a surprising din was raised.
It has been stated that two tribes participated. The Ding-donglas were the guests of the Bullarois, who had provided a grand supper of fat grubs, native yams, and roast kangaroo for the festivities.