William Dean Howells said that Mark Twain was the Lincoln of literature. That is the apogee of praise. The more facets of his personality we see, the more richly does he seem to deserve the praise.
The immortality of Poe, Whitman, and Mark Twain would seem to be assured. Other names have been on the roster long enough to make it fairly certain that they also will be chosen, but Hawthorne’s reputation wanes as Melville’s enhances. Edwin Robinson a generation hence may have greater renown than Longfellow, and William James may be quoted when Emerson is forgotten.
We long for a great emotional writer as the Jews long for a Messiah, and the fact that Mark Twain was vouchsafed us encourages me to believe that our chances are greater than those of the Jews. We have never had a really great poet unless Whitman was one, and not even an approach to a satirist, and Mark Twain is our signal contribution to humour. He had also the capacity to convey it, and an unawareness of the supremacy of either gift. With it all he was a philosopher, a man of culture, and fundamentally a poet.
His was the antithesis of the Messianic complex. He had a simple heart, and an intricate soul. None of his writings reveals it as does his autobiography. It is as unlike the customary autobiography as Mark Twain was unlike the average man. It does not begin with a tedious narrative of his forebears, and tiresome descriptions of their environment. Nor does it dwell upon his mental prodigiousness and moral sufficiency, followed by the enumeration of the obstacles he surmounted owing to his health, holiness, habit, and his unusual possessions. It does not end with a verbal portrait provocative of memories of Dr. Munyon and his warnings.
It is the picture of a man, happily not a one-hundred-percent-American, who lived during the second most important epoch of this country’s history, and who from early childhood was a close observer and from his youth a faithful transcriber of his observations. He began to write his autobiography in his teens and continued to write it nearly to the day of his death. Roughing It, Tom Sawyer, Life on the Mississippi, Innocents Abroad, are just as much description of his life as his autobiography.
Mark Twain’s conception of how to write biography was to start at no particular “period,” to wander at will over his life, to talk only about the thing which interested him for the moment, to drop it when its interest threatened to pale, and to turn his talk upon the new and more interesting things that intruded themselves into his mind meantime.
It is not only the picture of Samuel L. Clemens that one gets with the autobiography. There are little masterpieces of his brother Orion, of his daughter Susy, of his wife and of his mother, and there is one of General Grant that should add to his fame as a generous, kindly, big-hearted, forgiving man.
MARK TWAIN
Did any one ever describe an amiable person so well as he describes his fellow schoolboy John Robards; and did any one ever succeed better in conveying the handicap that excessive amiability puts upon its possessor? But the kohinoor of this tray of jewels is his description of his brother Orion. Mark Twain may not have succeeded in writing an account of his own life that was satisfactory, or that he considered revelatory, but the description and analysis of his brother’s personality is a real contribution to psychology and biography. It is possibly the best description of a human chameleon in all literature. It may never become as familiar as that of Colonel Sellers, for Mark Twain did not put him au naturel in his fiction. Orion Clemens was fifty-fifty optimist and pessimist. Aside from the fundamental endowments of honesty, truthfulness, and sincerity, he was as unstable as water, as inconstant as a weather vane. He had an unquenchable thirst for praise. You could dash his spirits with a single word; you could raise them unto the sky with another. He was a Presbyterian one Sunday, a Methodist the next, and a Baptist when the fancy seized him. He was a Whig to-day, Democrat next week, and anything fresh he could find in the political market the week after. He invariably acted on impulse and never reflected. He woke with an eagerness about some matter or other every morning; it consumed him all day; it perished in the night; and before he could get his clothes on he was on fire with a fresh interest next morning. He literally took no thought for the morrow, and it was inevitable that his illustrious brother should have to support him during his waning days. Psychologically, he was a splendid example of adult infantilism, manic-depressive temperament; genius is often associated with these possessions.