From the open door the priest rattled his keys, and said, “Come, come,” impatiently.

I was horribly afraid that Seraphina would shriek or faint, or refuse to move. There was very little time. The pirates might stream out of the front of the cathedral as we came from the back; the bishop had promised to accentuate the length of the service. But Seraphina glided towards the open door; a breath of fresh air reached us. She looked back once. The coffin was swinging right over the hole, shutting out the light. Tomas Castro took her hand and said, “Come... come,” with infinite tenderness.

He had been sobbing convulsedly. We went up some steps, and the door shut behind us with a sound like a sigh of relief.

We walked fast, in perfect blackness and solitude, on the deserted beach between the old town and the village. Every soul was near the cathedral. A boat lay half afloat. To the left in the distance the light of the schooner opposite the Casa Riego wavered on the still water.

Suddenly Tomas Castro said:

“The senorita never before set foot to the open ground.”

At once I lifted her into the boat. “Shove off, Tomas,” I said, with a beating heart.

[ [!-- H2 anchor --] ]

PART FOURTH — BLADE AND GUITAR

[ [!-- H2 anchor --] ]