I ached and smarted with my head in a sack, with my mouth full of flour that had gone mouldy and offended my nostrils; I had a sense of ignominy, and I was extremely angry; I could see that the old Don was in his dotage—but Carlos I was bitter against.

I was not really afraid; I could not suppose that the Riegos would allow me to be murdered or seriously maltreated. But I was incensed against Fate or Chance or whatever it is—on account of the ignominious details, the coarse sack, the mouldy flour, the stones of the tunnel that had barked my shins, the tightness of the ropes that bound my ankles together, and seemed to cut into my wrists behind my back.

I waited, and my fury grew in a dead silence. How would it end—with what outrage? I would show my contempt and preserve my dignity by submitting without a struggle—I despised this odious plot. At last there were voices, footsteps; I found it very hard to carry out my resolution and refrain from stifled cries and kicks. I was lifted up and carried, like a corpse, with many stumbles, by men who sometimes growled as they hastened along. From time to time somebody murmured, “Take care.” Then I was deposited into a boat. The world seemed to be swaying, splashing, jarring—and it became obvious to me that I was being taken to some ship. The Spanish ship, of course. Suddenly I broke into cold perspiration at the thought that, after all, their purpose might be to drop me quickly overboard. “Carlos!” I cried. I felt the point of a knife on my breast. “Silence, Señor!” said a gruff voice.

This fear vanished when we came alongside a ship evidently already under way; but I was handled so roughly and clumsily that I was thoroughly exhausted and out of breath, by the time I was got on board. All was still around me; I was left alone on a settee in the main cabin, as I imagined. For a long time I made no movement; then a door opened and shut. There was a murmured conversation between two voices. This went on in animated whispers for a time. At last I felt as if someone were trying, rather ineffectually, to remove the sack itself. Finally, that actually did rub its way over my head, and something soft and silken began to wipe my eyes with a surprising care, and even tenderness. “This was stupidly done,” came a discontented remark; “you do not handle a caballero like this.”

“And how else was it to be done, to that kind of caballero?” was the curt retort.

By that time I had blinked my eyes into a condition for remaining open for minute stretches. Two men were bending over me—Carlos and O’Brien himself. The latter said:

“Believe me, your mistake made this necessary. This young gentleman was about to become singularly inconvenient, and he is in no way harmed.”

He spoke in a velvety voice, and walked away gently through the darkness. Carlos followed with the lanthorn dangling at arm’s length; strangely enough he had not even looked at me. I suppose he was ashamed, and I was too proud to speak to him, with my hands and feet tied fast. The door closed, and I remained sitting in the darkness. Long small windows grew into light at one end of the place, curved into an outline that suggested a deep recess. The figure of a crowned woman, that moved rigidly up and down, was silhouetted over my body. Groaning creaks of wood and the faint swish of water made themselves heard continuously.

I turned my head to a click, I saw a door open a little way, and the small blue flame of a taper floated into the room. Then the door closed with a definite sound of shutting in. The light shone redly through protecting fingers, and upwards on to a small face. It came to a halt, and I made out the figure of a girl leaning across a table and looking upwards. There was a click of glass, and then a great blaze of light created a host of shining things; a glitter of gilded carvings, red velvet couches, a shining table, a low ceiling, painted white, on carved rafters. A large silver lamp she had lighted kept on swinging to the gentle motion of the ship.

She stood just in front of me; the girl that I had seen through the door; the girl I had seen play with the melon seeds. She was breathing fast—it agitated me to be alone with her—and she had a little shining dagger in her hand.