“I lay my case at your feet,” he continued. “You are to be our chief leader, and, on account of your illustrious birth and renowned intelligence, will occupy a superior position in the council of the notables. Is it not so? Has not the Señor Juez O’Brien so ordained? You will give ear to me, you will alleviate my indignant sufferings?” He implored me with his eyes for a long time.
Manuel-del-Popolo, as he called himself, pushed the hair back from his forehead. I had noticed that the love-locks were plaited with black braid, and that he wore large dirty silk ruffles.
“The caballero” he continued, marking his words with a long, white finger a-tap on the table, “will represent my views to the notables. My position at present, as I have had the honour to observe, is become unbearable. Consider, too, how your worship and I would work together. What lightness for you and me. You will find this Castro unbearably gross. But I—I assure you I am a man of taste—an improvisador—an artist. My songs are celebrated. And yet!...”
He folded his arms again, and waited; then he said, employing his most impressive voice:
“I have influence with the men of Rio. I could raise a riot. We Cubans are a jealous people; we do not love that foreigners should take our best from us. We do not love it; we will not suffer it. Let this Castro bethink himself and go in peace, leaving us and our ladies. As the proverb says, ‘It is well to build a bridge for a departing enemy.’”
He began to peer at me more wistfully, and his eyes grew more luminous than ever. This man, in spite of his grotesqueness, was quite in earnest, there was no doubting that.
“I have a gentle spirit,” he began again, “a gentle spirit. I am submissive to the legitimate authorities. What the Señor Juez O’Brien asks me to do, I do. I would put a knife into any one who inconvenienced the Señor Juez O’Brien, who is a good Catholic; we would all do that, as is right and fitting. But this Castro—this Andalou, who is nearly as bad as a heretic! When my day comes, I will have his arms flayed and the soles of his feet, and I will rub red pepper into them; and all the men of Rio who do not love foreigners will applaud. And I will stick little thorns under his tongue, and I will cut off his eyelids with little scissors, and set him facing the sun. Caballero, you would love me; I have a gentle spirit. I am a pleasant companion.” He rose and squeezed round the table. “Listen”—his eyes lit up with rapture—“you shall hear me. It is divine—ah, it is very pleasant, you will say.”
He seized his mandolin, slung it round his neck, and leant against the bulkhead. The bright light from the port-hole gilded the outlines of his body, as he swayed about and moved his long fingers across the strings; they tinkled metallically. He sang in a nasal voice:
“‘Listen!’ the young girls say as they hasten to the barred window. ‘Listen! Ah, surely that is the guitar of Man—u—el—del-Popolo, As he glides along the wall in the twilight.’”
It was a very long song. He gesticulated freely with his hand in between the scratching of the strings, which seemed to be a matter of luck. His eyes gazed distantly at the wall above my head. The performance bewildered and impressed me; I wondered if this was what they had carried me off for. It was like being mad. He made a decrescendo tinkling, and his lofty features lapsed into their normal mournfulness.