A few words as to certain facts may be added.

It may seem that he was plunged very abruptly into this long adventure. But from certain passages (suppressed here because mixed up with irrelevant matter) it appears clearly that at the time of the meeting in the café, Mills had already gathered, in various quarters, a definite view of the eager youth who had been introduced to him in that ultra-legitimist salon. What Mills had learned represented him as a young gentleman who had arrived furnished with proper credentials and who apparently was doing his best to waste his life in an eccentric fashion, with a bohemian set (one poet, at least, emerged out of it later) on one side, and on the other making friends with the people of the Old Town, pilots, coasters, sailors, workers of all sorts. He pretended rather absurdly to be a seaman himself and was already credited with an ill-defined and vaguely illegal enterprise in the Gulf of Mexico. At once it occurred to Mills that this eccentric youngster was the very person for what the legitimist sympathizers had very much at heart just then; to organize a supply by sea of arms and ammunition to the Carlist detachments in the South. It was precisely to confer on that matter with Doña Rita that Captain Blunt had been despatched from Headquarters.

Mills got in touch with Blunt at once and put the suggestion before him. The Captain thought this the very thing. As a matter of fact, on that evening of Carnival, those two, Mills and Blunt, had been actually looking everywhere for our man. They had decided that he should be drawn into the affair if it could be done. Blunt naturally wanted to see him first. He must have estimated him a promising person, but, from another point of view, not dangerous. Thus lightly was the notorious (and at the same time mysterious) Monsieur George brought into the world; out of the contact of two minds which did not give a single thought to his flesh and blood.

This purpose explains the intimate tone given to their first conversation and the sudden introduction of Doña Rita's history. Mills, of course, wanted to hear all about it. As to Captain Blunt I suspect that, at the time, he was thinking of nothing else. In addition it was Doña Rita who would have to do the persuading; for, after all, such an enterprise with its ugly and desperate risks was not a trifle to put before a man—however young.

It cannot be denied that Mills seems to have acted somewhat unscrupulously. He himself appears to have had some doubt about it, at a given moment, as they were driving to the Prado. But perhaps Mills, with his penetration, understood very well the nature he was dealing with. He might even have envied it. But it's not my business to excuse Mills. As to him whom we may regard as Mills' victim it is obvious that he has never harboured a single reproachful thought. For him Mills is not to be criticized. A remarkable instance of the great power of mere individuality over the young.


Having named all the short prefaces written for my books, Author's Notes, this one too must have the same heading for the sake of uniformity if at the risk of some confusion. "The Arrow of Gold," as its sub-title states, is a story between two Notes. But these Notes are embodied in its very frame, belong to its texture, and their mission is to prepare and close the story. They are material to the comprehension of the experience related in the narrative and are meant to determine the time and place together with certain historical circumstances conditioning the existence of the people concerned in the transactions of the twelve months covered by the narrative. It was the shortest way of getting over the preliminaries of a piece of work which could not have been of the nature of a chronicle.

"The Arrow of Gold" is my first after-the-war publication. The writing of it was begun in the autumn of 1917 and finished in the summer of 1918. Its memory is associated with that of the darkest hour of the war, which, in accordance with the well known proverb, preceded the dawn—the dawn of peace.

As I look at them now, these pages, written in the days of stress and dread, wear a look of strange serenity. They were written calmly, yet not in cold blood, and are perhaps the only kind of pages I could have written at that time full of menace, but also full of faith.

The subject of this book I have been carrying about with me for many years, not so much a possession of my memory as an inherent part of myself. It was ever present to my mind and ready to my hand, but I was loth to touch it from a feeling of what I imagined to be mere shyness but which in reality was a very comprehensible mistrust of myself.