Suspense: A Napoleonic Novel

by Joseph Conrad

"Frankly," he said, "didn't you think that a complete stranger had been brought into the room?"

He said this very seriously, and she answered him in a light tone. "For a moment I was afraid to look round. I sat there with my back to you. It was absurd after having been imprudent enough to let you come in the morning. You kept so still that you might have been already gone. I took fright, I jumped up, but I need not have hesitated. You are still the same boy."

Cosmo paid very little attention to what she said. Without restraint and disguise, in open admiration he was observing her with all his might, saying to himself, "Is it possible—this—Adèle!" He recollected himself, however, sufficiently to murmur that men changed more slowly and perhaps less completely than women. The Countess of Montevesso was not of that opinion, or, at any rate, not in this case.

"It isn't that at all. I know because I used to look at you with that attention worthy of the heir of the Latham name, whereas you never honoured the French girl by anything more than a casual glance. Why should you have done more? You had the dogs, the horses, your first gun. I remember the gun. You showed it to both of us, to your sister and myself while we were walking in the park. You shouted to us and came across the grass, brandishing your gun, while the governess—I don't remember her name—screamed at you. Oh mon dieu! N'approaches pas! You paid not the slightest attention to her. You had a flushed face. Of course her screaming frightened us at first, and just as we were preparing to get very interested in your gun you walked off with a look of contempt."

"Did I behave so badly as that?" said Cosmo, feeling suddenly very much at ease with that lady with whom he had never even exchanged a formal greeting. She had grown more animated. As he was very fond of his sister he answered her numerous questions about Henrietta with interest and pleasure. From that subject the lady on the sofa, who may or may not have been Adèle d'Armand at one time, went on putting a series of questions about the house and all the people in it in a manner that proved a precise and affectionate recollection of those days. The memory of the countryside seemed to have been cherished by her too, and Cosmo's heart warmed to the subject. She remembered certain spots in the park and certain points of view in the neighbourhood as though she had left them but a year before. She seemed not to have forgotten a single servant in the house. She asked after Spire.

"I have got him with me," said Cosmo. "Of course he has grown elderly."

He almost forgot to whom he was speaking. Without associating her very distinctly with the child Adèle, he was taking the Countess de Montevesso for granted. He delighted in seeing her so quiet and so perfectly natural. The first effect of her appearance persisted, with only the added sense of the deep dark blue of her eyes, an impression of living profundity that made his thoughts about her pause. But he was unconsciously grateful to her for the fact that she had never given him a moment of that acute social awkwardness from which he used to suffer so much; though there could not be the slightest doubt that the little Adèle (if there had ever been a little Adèle) was now a very fine lady indeed. But she loved the old place and everything and everybody in it. Of that too there could be no doubt. The few references she made to his mother touched and surprised Cosmo. They seemed to imply some depth in her which he, the son, and Henrietta, the daughter, had failed to penetrate. In contrast with that, Cosmo remarked that after the inquiry after Sir Charles's health, which was one of her first questions, his father was not mentioned again.

"Are you going to make a stay in Genoa?" she asked after a pause.

"A few days," said Cosmo, in an irresolute tone, because he did not know what answer was expected to this inquiry, the first which had nothing to do with Yorkshire. His interest in the rest of Italy was, he perceived, very small. But by the association of ideas he thought suddenly of the passing hours. He raised his eyes to a faintly engraved brass disc with black hands hung on the wall above one of the two doors at that end of the room which he was facing. The black hands pointed to eleven, but what prevented his eyes from returning at once to the delighted contemplation of the Countess of Montevesso was the fact that the door below the clock seemed to have moved slightly.

"I intend to see something of Italy," he said. "My time really is my own, I have nothing special to do. It seems to me that the principal object of my journey has been attained now. I don't think my father would be surprised to hear that I had turned back after leaving Genoa."