"That was an Englishman."
She moaned with astonishment and alarm. A heretic! She thought no heretic could be good-looking. Didn't they have their wickedness written on their faces?
"No," said Count Helion. "No man has that, and no woman, either."
Again he paused to think. "Let us go in now," he added.
The big room (all the rooms in that Palazzo were big unless they happened to be mere dark and airless cupboards), which they entered as quietly as if a sick person had been lying in there at the point of death, contained amongst its gilt furniture also a few wooden stools and a dark walnut table brought down from the farmhouse for the convenience of its rustic occupants. A priest sitting in a gorgeous armchair held to the light of a common brass oil lamp an open book, the shadow of which darkened a whole corner of the vast space between the high walls decorated with rare marbles, long mirrors, and heavy hangings. A few small pieces of washing were hung out to dry on a string stretched from a window latch to the back of a chair. A common brazier stood in the fireplace and, near it, a gaunt, bony woman dressed in black with a white handkerchief on her head was stirring something in a little earthen pot. Ranged at the foot of a dais bearing a magnificent but dismantled couch of state were two small wooden bedsteads, on one of which lay the girl whom Cosmo knew only as "Clelia, my husband's niece," with a hand under her cheek. The other cheek was much flushed; a tangle of loose black hair covered the pillow. Whether from respect for the priest or from mere exhaustion she was keeping perfectly still under her bedclothes pulled up to her very neck so that only her head remained uncovered.
At the entrance of the Count the priest closed his book and stood up, but the woman by the mantelpiece went on stirring her pot. Count Helion returned a "Bonsoir, Abbé" to the priest's silent bow, put down the candelabra on a console, and walked straight to the bedstead. The other three people, the gaunt woman still with her pot in her hand, approached it too but kept their distance.
The girl Clelia remained perfectly still under the downward thoughtful gaze of Count Helion. In that face half buried in the pillow one eye glittered full of tears. She refused to make the slightest sound in reply to Count Helion's questions, orders, and remonstrances. Even his coaxings, addressed to her in the same low, harsh tone, were received in obstinate silence. Whenever he paused he could hear at his back the old woman whispering to the priest. At last even that stopped. Count Helion resisted the temptation to grab all that hair on the pillow and pull the child out of bed by it. He waited a little longer and then said in his harsh tone:
"I thought you loved me."
For the first time there was a movement under the blanket. But that was all. Count Helion turned his back on the bed and met three pairs of eyes fixed on him with different expressions. He avoided meeting any of them. "Perhaps if you were to leave us alone," he said.
They obeyed in silence, but at the last moment he called the priest back and took him aside to a distant part of the room where the brass oil lamp stood on the walnut-wood table. The full physiognomy of Father Paul Carpi with its thin eyebrows and pouting mouth was overspread by a self-conscious professional placidity that seemed ready to see or hear anything without surprise. Count de Montevesso was always impressed by it. "Abbé," he said brusquely, "you know that my sister thinks that the child is possessed. I suppose she means by a devil."