Thus Alvan Hervey and his wife for five prosperous years lived by the side of one another. In time they came to know each other sufficiently well for all the practical purposes of such an existence, but they were no more capable of real intimacy than two animals feeding at the same manger, under the same roof, in a luxurious stable. His longing was appeased and became a habit; and she had her desire—the desire to get away from under the paternal roof, to assert her individuality, to move in her own set (so much smarter than the parental one); to have a home of her own, and her own share of the world’s respect, envy, and applause. They understood each other warily, tacitly, like a pair of cautious conspirators in a profitable plot; because they were both unable to look at a fact, a sentiment, a principle, or a belief otherwise than in the light of their own dignity, of their own glorification, of their own advantage. They skimmed over the surface of life hand in hand, in a pure and frosty atmosphere—like two skilful skaters cutting figures on thick ice for the admiration of the beholders, and disdainfully ignoring the hidden stream, the stream restless and dark; the stream of life, profound and unfrozen.
Alvan Hervey turned twice to the left, once to the right, walked along two sides of a square, in the middle of which groups of tame-looking trees stood in respectable captivity behind iron railings, and rang at his door. A parlour-maid opened. A fad of his wife’s, this, to have only women servants. That girl, while she took his hat and overcoat, said something which made him look at his watch. It was five o’clock, and his wife not at home. There was nothing unusual in that. He said, “No; no tea,” and went upstairs.
He ascended without footfalls. Brass rods glimmered all up the red carpet. On the first-floor landing a marble woman, decently covered from neck to instep with stone draperies, advanced a row of lifeless toes to the edge of the pedestal, and thrust out blindly a rigid white arm holding a cluster of lights. He had artistic tastes—at home. Heavy curtains caught back, half concealed dark corners. On the rich, stamped paper of the walls hung sketches, water-colours, engravings. His tastes were distinctly artistic. Old church towers peeped above green masses of foliage; the hills were purple, the sands yellow, the seas sunny, the skies blue. A young lady sprawled with dreamy eyes in a moored boat, in company of a lunch basket, a champagne bottle, and an enamoured man in a blazer. Bare-legged boys flirted sweetly with ragged maidens, slept on stone steps, gambolled with dogs. A pathetically lean girl flattened against a blank wall, turned up expiring eyes and tendered a flower for sale; while, near by, the large photographs of some famous and mutilated bas-reliefs seemed to represent a massacre turned into stone.
He looked, of course, at nothing, ascended another flight of stairs and went straight into the dressing room. A bronze dragon nailed by the tail to a bracket writhed away from the wall in calm convolutions, and held, between the conventional fury of its jaws, a crude gas flame that resembled a butterfly. The room was empty, of course; but, as he stepped in, it became filled all at once with a stir of many people; because the strips of glass on the doors of wardrobes and his wife’s large pier-glass reflected him from head to foot, and multiplied his image into a crowd of gentlemanly and slavish imitators, who were dressed exactly like himself; had the same restrained and rare gestures; who moved when he moved, stood still with him in an obsequious immobility, and had just such appearances of life and feeling as he thought it dignified and safe for any man to manifest. And like real people who are slaves of common thoughts, that are not even their own, they affected a shadowy independence by the superficial variety of their movements. They moved together with him; but they either advanced to meet him, or walked away from him; they appeared, disappeared; they seemed to dodge behind walnut furniture, to be seen again, far within the polished panes, stepping about distinct and unreal in the convincing illusion of a room. And like the men he respected they could be trusted to do nothing individual, original, or startling—nothing unforeseen and nothing improper.
He moved for a time aimlessly in that good company, humming a popular but refined tune, and thinking vaguely of a business letter from abroad, which had to be answered on the morrow with cautious prevarication. Then, as he walked towards a wardrobe, he saw appearing at his back, in the high mirror, the corner of his wife’s dressing-table, and amongst the glitter of silver-mounted objects on it, the square white patch of an envelope. It was such an unusual thing to be seen there that he spun round almost before he realized his surprise; and all the sham men about him pivoted on their heels; all appeared surprised; and all moved rapidly towards envelopes on dressing-tables.
He recognized his wife’s handwriting and saw that the envelope was addressed to himself. He muttered, “How very odd,” and felt annoyed. Apart from any odd action being essentially an indecent thing in itself, the fact of his wife indulging in it made it doubly offensive. That she should write to him at all, when she knew he would be home for dinner, was perfectly ridiculous; but that she should leave it like this—in evidence for chance discovery—struck him as so outrageous that, thinking of it, he experienced suddenly a staggering sense of insecurity, an absurd and bizarre flash of a notion that the house had moved a little under his feet. He tore the envelope open, glanced at the letter, and sat down in a chair near by.
He held the paper before his eyes and looked at half a dozen lines scrawled on the page, while he was stunned by a noise meaningless and violent, like the clash of gongs or the beating of drums; a great aimless uproar that, in a manner, prevented him from hearing himself think and made his mind an absolute blank. This absurd and distracting tumult seemed to ooze out of the written words, to issue from between his very fingers that trembled, holding the paper. And suddenly he dropped the letter as though it had been something hot, or venomous, or filthy; and rushing to the window with the unreflecting precipitation of a man anxious to raise an alarm of fire or murder, he threw it up and put his head out.
A chill gust of wind, wandering through the damp and sooty obscurity over the waste of roofs and chimney-pots, touched his face with a clammy flick. He saw an illimitable darkness, in which stood a black jumble of walls, and, between them, the many rows of gaslights stretched far away in long lines, like strung-up beads of fire. A sinister loom as of a hidden conflagration lit up faintly from below the mist, falling upon a billowy and motionless sea of tiles and bricks. At the rattle of the opened window the world seemed to leap out of the night and confront him, while floating up to his ears there came a sound vast and faint; the deep mutter of something immense and alive. It penetrated him with a feeling of dismay and he gasped silently. From the cab-stand in the square came distinct hoarse voices and a jeering laugh which sounded ominously harsh and cruel. It sounded threatening. He drew his head in, as if before an aimed blow, and flung the window down quickly. He made a few steps, stumbled against a chair, and with a great effort, pulled himself together to lay hold of a certain thought that was whizzing about loose in his head.
He got it at last, after more exertion than he expected; he was flushed and puffed a little as though he had been catching it with his hands, but his mental hold on it was weak, so weak that he judged it necessary to repeat it aloud—to hear it spoken firmly—in order to insure a perfect measure of possession. But he was unwilling to hear his own voice—to hear any sound whatever—owing to a vague belief, shaping itself slowly within him, that solitude and silence are the greatest felicities of mankind. The next moment it dawned upon him that they are perfectly unattainable—that faces must be seen, words spoken, thoughts heard. All the words—all the thoughts!
He said very distinctly, and looking at the carpet, “She’s gone.”