She paused with an inscrutable smile that a great painter might have put on the face of some symbolic figure for the speculation and wonder of many generations. I said:
“I always thought that love for you could work great wonders. And now I am certain.”
“Are you trying to be ironic?” she said sadly and very much as a child might have spoken.
“I don’t know,” I answered in a tone of the same simplicity. “I find it very difficult to be generous.”
“I, too,” she said with a sort of funny eagerness. “I didn’t treat him very generously. Only I didn’t say much more. I found I didn’t care what I said—and it would have been like throwing insults at a beautiful composition. He was well inspired not to move. It has spared him some disagreeable truths and perhaps I would even have said more than the truth. I am not fair. I am no more fair than other people. I would have been harsh. My very admiration was making me more angry. It’s ridiculous to say of a man got up in correct tailor clothes, but there was a funereal grace in his attitude so that he might have been reproduced in marble on a monument to some woman in one of those atrocious Campo Santos: the bourgeois conception of an aristocratic mourning lover. When I came to that conclusion I became glad that I was angry or else I would have laughed right out before him.”
“I have heard a woman say once, a woman of the people—do you hear me, Doña Rita?—therefore deserving your attention, that one should never laugh at love.”
“My dear,” she said gently, “I have been taught to laugh at most things by a man who never laughed himself; but it’s true that he never spoke of love to me, love as a subject that is. So perhaps . . . But why?”
“Because (but maybe that old woman was crazy), because, she said, there was death in the mockery of love.”
Doña Rita moved slightly her beautiful shoulders and went on:
“I am glad, then, I didn’t laugh. And I am also glad I said nothing more. I was feeling so little generous that if I had known something then of his mother’s allusion to ‘white geese’ I would have advised him to get one of them and lead it away on a beautiful blue ribbon. Mrs. Blunt was wrong, you know, to be so scornful. A white goose is exactly what her son wants. But look how badly the world is arranged. Such white birds cannot be got for nothing and he has not enough money even to buy a ribbon. Who knows! Maybe it was this which gave that tragic quality to his pose by the mantelpiece over there. Yes, that was it. Though no doubt I didn’t see it then. As he didn’t offer to move after I had done speaking I became quite unaffectedly sorry and advised him very gently to dismiss me from his mind definitely. He moved forward then and said to me in his usual voice and with his usual smile that it would have been excellent advice but unfortunately I was one of those women who can’t be dismissed at will. And as I shook my head he insisted rather darkly: ‘Oh, yes, Doña Rita, it is so. Cherish no illusions about that fact.’ It sounded so threatening that in my surprise I didn’t even acknowledge his parting bow. He went out of that false situation like a wounded man retreating after a fight. No, I have nothing to reproach myself with. I did nothing. I led him into nothing. Whatever illusions have passed through my head I kept my distance, and he was so loyal to what he seemed to think the redeeming proprieties of the situation that he has gone from me for good without so much as kissing the tips of my fingers. He must have felt like a man who had betrayed himself for nothing. It’s horrible. It’s the fault of that enormous fortune of mine, and I wish with all my heart that I could give it to him; for he couldn’t help his hatred of the thing that is: and as to his love, which is just as real, well—could I have rushed away from him to shut myself up in a convent? Could I? After all I have a right to my share of daylight.”