I don’t mean to say that those thoughts passed through my head consciously. I had only the resultant, settled feeling. I had, however, a thought, too. It came on me suddenly, and I asked myself with rage and astonishment: “Must I then kill that brute?” There didn’t seem to be any alternative. Between him and Doña Rita I couldn’t hesitate. I believe I gave a slight laugh of desperation. The suddenness of this sinister conclusion had in it something comic and unbelievable. It loosened my grip on my mental processes. A Latin tag came into my head about the facile descent into the abyss. I marvelled at its aptness, and also that it should have come to me so pat. But I believe now that it was suggested simply by the actual declivity of the street of the Consuls which lies on a gentle slope. We had just turned the corner. All the houses were dark and in a perspective of complete solitude our two shadows dodged and wheeled about our feet.
“Here we are,” I said.
He was an extraordinarily chilly devil. When we stopped I could hear his teeth chattering again. I don’t know what came over me, I had a sort of nervous fit, was incapable of finding my pockets, let alone the latchkey. I had the illusion of a narrow streak of light on the wall of the house as if it had been cracked. “I hope we will be able to get in,” I murmured.
Señor Ortega stood waiting patiently with his handbag, like a rescued wayfarer. “But you live in this house, don’t you?” he observed.
“No,” I said, without hesitation. I didn’t know how that man would behave if he were aware that I was staying under the same roof. He was half mad. He might want to talk all night, try crazily to invade my privacy. How could I tell? Moreover, I wasn’t so sure that I would remain in the house. I had some notion of going out again and walking up and down the street of the Consuls till daylight. “No, an absent friend lets me use . . . I had that latchkey this morning . . . Ah! here it is.”
I let him go in first. The sickly gas flame was there on duty, undaunted, waiting for the end of the world to come and put it out. I think that the black-and-white hall surprised Ortega. I had closed the front door without noise and stood for a moment listening, while he glanced about furtively. There were only two other doors in the hall, right and left. Their panels of ebony were decorated with bronze applications in the centre. The one on the left was of course Blunt’s door. As the passage leading beyond it was dark at the further end I took Señor Ortega by the hand and led him along, unresisting, like a child. For some reason or other I moved on tip-toe and he followed my example. The light and the warmth of the studio impressed him favourably; he laid down his little bag, rubbed his hands together, and produced a smile of satisfaction; but it was such a smile as a totally ruined man would perhaps force on his lips, or a man condemned to a short shrift by his doctor. I begged him to make himself at home and said that I would go at once and hunt up the woman of the house who would make him up a bed on the big couch there. He hardly listened to what I said. What were all those things to him! He knew that his destiny was to sleep on a bed of thorns, to feed on adders. But he tried to show a sort of polite interest. He asked: “What is this place?”
“It used to belong to a painter,” I mumbled.
“Ah, your absent friend,” he said, making a wry mouth. “I detest all those artists, and all those writers, and all politicos who are thieves; and I would go even farther and higher, laying a curse on all idle lovers of women. You think perhaps I am a Royalist? No. If there was anybody in heaven or hell to pray to I would pray for a revolution—a red revolution everywhere.”
“You astonish me,” I said, just to say something.
“No! But there are half a dozen people in the world with whom I would like to settle accounts. One could shoot them like partridges and no questions asked. That’s what revolution would mean to me.”