The estuaries of rivers appeal strongly to an adventurous imagination. This appeal is not always a charm, for there are estuaries of a particularly dispiriting ugliness: lowlands, mud-flats, or perhaps barren sandhills without beauty of form or amenity of aspect, covered with a shabby and scanty vegetation conveying the impression of poverty and uselessness. Sometimes such an ugliness is merely a repulsive mask. A river whose estuary resembles a breach in a sand rampart may flow through a most fertile country. But all the estuaries of great rivers have their fascination, the attractiveness of an open portal. Water is friendly to man. The ocean, a part of Nature furthest removed in the unchangeableness and majesty of its might from the spirit of mankind, has ever been a friend to the enterprising nations of the earth. And of all the elements this is the one to which men have always been prone to trust themselves, as if its immensity held a reward as vast as itself.
From the offing the open estuary promises every possible fruition to adventurous hopes. That road open to enterprise and courage invites the explorer of coasts to new efforts towards the fulfilment of great expectations. The commander of the first Roman galley must have looked with an intense absorption upon the estuary of the Thames as he turned the beaked prow of his ship to the westward under the brow of the North Foreland. The estuary of the Thames is not beautiful; it has no noble features, no romantic grandeur of aspect, no smiling geniality; but it is wide open, spacious, inviting, hospitable at the first glance, with a strange air of mysteriousness which lingers about it to this very day. The navigation of his craft must have engrossed all the Roman’s attention in the calm of a summer’s day (he would choose his weather), when the single row of long sweeps (the galley would be a light one, not a trireme) could fall in easy cadence upon a sheet of water like plate-glass, reflecting faithfully the classic form of his vessel and the contour of the lonely shores close on his left hand. I assume he followed the land and passed through what is at present known as Margate Roads, groping his careful way along the hidden sandbanks, whose every tail and spit has its beacon or buoy nowadays. He must have been anxious, though no doubt he had collected beforehand on the shores of the Gauls a store of information from the talk of traders, adventurers, fishermen, slave-dealers, pirates—all sorts of unofficial men connected with the sea in a more or less reputable way. He would have heard of channels and sandbanks, of natural features of the land useful for sea-marks, of villages and tribes and modes of barter and precautions to take: with the instructive tales about native chiefs dyed more or less blue, whose character for greediness, ferocity, or amiability must have been expounded to him with that capacity for vivid language which seems joined naturally to the shadiness of moral character and recklessness of disposition. With that sort of spiced food provided for his anxious thought, watchful for strange men, strange beasts, strange turns of the tide, he would make the best of his way up, a military seaman with a short sword on thigh and a bronze helmet on his head, the pioneer post-captain of an imperial fleet. Was the tribe inhabiting the Isle of Thanet of a ferocious disposition, I wonder, and ready to fall with stone-studded clubs and wooden lances hardened in the fire, upon the backs of unwary mariners?
Amongst the great commercial streams of these islands, the Thames is the only one, I think, open to romantic feeling, from the fact that the sight of human labour and the sounds of human industry do not come down its shores to the very sea, destroying the suggestion of mysterious vastness caused by the configuration of the shore. The broad inlet of the shallow North Sea passes gradually into the contracted shape of the river; but for a long time the feeling of the open water remains with the ship steering to the westward through one of the lighted and buoyed passage-ways of the Thames, such as Queen’s Channel, Prince’s Channel, Four-Fathom Channel; or else coming down the Swin from the north. The rush of the yellow flood-tide hurries her up as if into the unknown between the two fading lines of the coast. There are no features to this land, no conspicuous, far-famed landmarks for the eye; there is nothing so far down to tell you of the greatest agglomeration of mankind on earth dwelling no more than five and twenty miles away, where the sun sets in a blaze of colour flaming on a gold background, and the dark, low shores trend towards each other. And in the great silence the deep, faint booming of the big guns being tested at Shoeburyness hangs about the Nore—a historical spot in the keeping of one of England’s appointed guardians.
XXXI.
The Nore sand remains covered at low-water, and never seen by human eye; but the Nore is a name to conjure with visions of historical events, of battles, of fleets, of mutinies, of watch and ward kept upon the great throbbing heart of the State. This ideal point of the estuary, this centre of memories, is marked upon the steely gray expanse of the waters by a lightship painted red that, from a couple of miles off, looks like a cheap and bizarre little toy. I remember how, on coming up the river for the first time, I was surprised at the smallness of that vivid object—a tiny warm speck of crimson lost in an immensity of gray tones. I was startled, as if of necessity the principal beacon in the water-way of the greatest town on earth should have presented imposing proportions. And, behold! the brown sprit-sail of a barge hid it entirely from my view.
Coming in from the eastward, the bright colouring of the lightship marking the part of the river committed to the charge of an Admiral (the Commander-in-Chief at the Nore) accentuates the dreariness and the great breadth of the Thames Estuary. But soon the course of the ship opens the entrance of the Medway, with its men-of-war moored in line, and the long wooden jetty of Port Victoria, with its few low buildings like the beginning of a hasty settlement upon a wild and unexplored shore. The famous Thames barges sit in brown clusters upon the water with an effect of birds floating upon a pond. On the imposing expanse of the great estuary the traffic of the port where so much of the world’s work and the world’s thinking is being done becomes insignificant, scattered, streaming away in thin lines of ships stringing themselves out into the eastern quarter through the various navigable channels of which the Nore lightship marks the divergence. The coasting traffic inclines to the north; the deep-water ships steer east with a southern inclination, on through the Downs, to the most remote ends of the world. In the widening of the shores sinking low in the gray, smoky distances the greatness of the sea receives the mercantile fleet of good ships that London sends out upon the turn of every tide. They follow each other, going very close by the Essex shore. Such as the beads of a rosary told by business-like shipowners for the greater profit of the world they slip one by one into the open: while in the offing the inward-bound ships come up singly and in bunches from under the sea horizon closing the mouth of the river between Orfordness and North Foreland. They all converge upon the Nore, the warm speck of red upon the tones of drab and gray, with the distant shores running together towards the west, low and flat, like the sides of an enormous canal. The sea-reach of the Thames is straight, and, once Sheerness is left behind, its banks seem very uninhabited, except for the cluster of houses which is Southend, or here and there a lonely wooden jetty where petroleum ships discharge their dangerous cargoes, and the oil-storage tanks, low and round with slightly-domed roofs, peep over the edge of the fore-shore, as it were a village of Central African huts imitated in iron. Bordered by the black and shining mud-flats, the level marsh extends for miles. Away in the far background the land rises, closing the view with a continuous wooded slope, forming in the distance an interminable rampart overgrown with bushes.
Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.
Between the crowded houses of Gravesend and the monstrous red-brick pile on the Essex shore the ship is surrendered fairly to the grasp of the river. That hint of loneliness, that soul of the sea which had accompanied her as far as the Lower Hope Reach, abandons her at the turn of the first bend above. The salt, acrid flavour is gone out of the air, together with a sense of unlimited space opening free beyond the threshold of sandbanks below the Nore. The waters of the sea rush on past Gravesend, tumbling the big mooring buoys laid along the face of the town; but the sea-freedom stops short there, surrendering the salt tide to the needs, the artifices, the contrivances of toiling men. Wharves, landing-places, dock-gates, waterside stairs, follow each other continuously right up to London Bridge, and the hum of men’s work fills the river with a menacing, muttering note as of a breathless, ever-driving gale. The water-way, so fair above and wide below, flows oppressed by bricks and mortar and stone, by blackened timber and grimed glass and rusty iron, covered with black barges, whipped up by paddles and screws, overburdened with craft, overhung with chains, overshadowed by walls making a steep gorge for its bed, filled with a haze of smoke and dust.
This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade. I am thinking now of river ports I have seen—of Antwerp, for instance; of Nantes or Bordeaux, or even old Rouen, where the night-watchmen of ships, elbows on rail, gaze at shop-windows and brilliant cafés, and see the audience go in and come out of the opera-house. But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.
Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.