She turned her head over her shoulder and gave that man planted heavily in front of the fireplace a glance, half arch, half cruel, out of her large eyes—a glance of which the Winnie of the Belgravian mansion days would have been incapable, because of her respectability and her ignorance. But the man was her husband now, and she was no longer ignorant. She kept it on him for a whole second, with her grave face motionless like a mask, while she said playfully:
“You couldn’t. You would miss me too much.”
Mr Verloc started forward.
“Exactly,” he said in a louder tone, throwing his arms out and making a step towards her. Something wild and doubtful in his expression made it appear uncertain whether he meant to strangle or to embrace his wife. But Mrs Verloc’s attention was called away from that manifestation by the clatter of the shop bell.
“Shop, Adolf. You go.”
He stopped, his arms came down slowly.
“You go,” repeated Mrs Verloc. “I’ve got my apron on.”
Mr Verloc obeyed woodenly, stony-eyed, and like an automaton whose face had been painted red. And this resemblance to a mechanical figure went so far that he had an automaton’s absurd air of being aware of the machinery inside of him.
He closed the parlour door, and Mrs Verloc moving briskly, carried the tray into the kitchen. She washed the cups and some other things before she stopped in her work to listen. No sound reached her. The customer was a long time in the shop. It was a customer, because if he had not been Mr Verloc would have taken him inside. Undoing the strings of her apron with a jerk, she threw it on a chair, and walked back to the parlour slowly.
At that precise moment Mr Verloc entered from the shop.