He bowed over the skeleton hand and left the room, escorted by the great man, who made him go out first. The voice from the sofa cried after them—
“You remain here, Pierre.”
“Certainly, ma chere amie.”
But he left the room with Razumov, shutting the door behind him. The landing was prolonged into a bare corridor, right and left, desolate perspectives of white and gold decoration without a strip of carpet. The very light, pouring through a large window at the end, seemed dusty; and a solitary speck reposing on the balustrade of white marble—the silk top-hat of the great feminist—asserted itself extremely, black and glossy in all that crude whiteness.
Peter Ivanovitch escorted the visitor without opening his lips. Even when they had reached the head of the stairs Peter Ivanovitch did not break the silence. Razumov’s impulse to continue down the flight and out of the house without as much as a nod abandoned him suddenly. He stopped on the first step and leaned his back against the wall. Below him the great hall with its chequered floor of black and white seemed absurdly large and like some public place where a great power of resonance awaits the provocation of footfalls and voices. As if afraid of awakening the loud echoes of that empty house, Razumov adopted a low tone.
“I really have no mind to turn into a dilettante spiritualist.”
Peter Ivanovitch shook his head slightly, very serious.
“Or spend my time in spiritual ecstasies or sublime meditations upon the gospel of feminism,” continued Razumov. “I made my way here for my share of action—action, most respected Peter Ivanovitch! It was not the great European writer who attracted me, here, to this odious town of liberty. It was somebody much greater. It was the idea of the chief which attracted me. There are starving young men in Russia who believe in you so much that it seems the only thing that keeps them alive in their misery. Think of that, Peter Ivanovitch! No! But only think of that!”
The great man, thus entreated, perfectly motionless and silent, was the very image of patient, placid respectability.
“Of course I don’t speak of the people. They are brutes,” added Razumov, in the same subdued but forcible tone. At this, a protesting murmur issued from the “heroic fugitive’s” beard. A murmur of authority.